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Prayers answered: Davinci 11
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12 Replies
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A lot of really interesting features, but buried down in the list was this gem.
“Broadcast Safe out of limit display and soft clip level selection.”
I wonder is this simply a display that will give you an “alarm” when you are outside broadcast safe? Or is this going to be something similar to the Broadcast Safe back in Apple Color?
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Yes, it will create broadcast safe masters.
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HELL
YEAThough I still can’t really use it unless FCP7 roundtrip works fully again… did they ever get it working right in 10?
Studio – eMac G4, 256mb ram, Final Cut DV
Mobile – IBM R50, 1024mb ram, 80gb Hitachi Travelstar ATA133 7200rpm hard drive -
But will it also “safe” chroma?
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[Eric Chase] “But will it also “safe” chroma?”
Yes, there are three different levels of “safe,” each stepping the luminance/chroma down from optimum to “very conservative” levels that appear to stop just about any overshoots.I always did this manually, but this is a nice feature to have and I’m glad they implemented it.
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It appears to be limiting both luma and chroma. However, it’s more like a hard clip rather than the soft roll off you would see on a Harris DL-860.
Josh Petok
Online | Color
JoshPetok.com
TheCurrentCut.com -
If they are turning this into a NLE, maybe they could add support for P2 MXF in AVC-Intra flavor. I’d love to be able to natively edit and grade them all in one application without messy transcoding first.
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So when can we get our greedy little hands at this new masterpiece ?
A slice of color…
Resolve 10.1.0.021
Colorist / VFX / Aerial footage nerd
https://vimeo.com/saschahaber -
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>P2 MXF in AVC-Intra flavor.
To me those formats are like video with fields.
A bit of history.
Prores seems the new compression type for that.
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Margus
https://iconstudios.eu
https://vimeo.com/iconstudioseu/videosDaVinci 10, OSX 10.8.5
MacPro 5.1 2×2,93 24GB
GUI 4000 / GPU GTX 780
DL 4K
Eizo Color
Scope Box
Full Ligthspace CMS
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