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Activity Forums Adobe Premiere Pro PP – brings in audio too hot?

  • PP – brings in audio too hot?

    Posted by Tad Newberry on April 23, 2020 at 5:15 pm

    This happens a lot: i import an mp3 or other sound file, and it “pegs the meters” on my timeline. You can see the waveform just slightly crushed at the top, though it doesn’t sound distorted…it’s sometimes close. Is there a way to bring it in a bit “softer” so the highs aren’t crushed (at least, visually?)

    thanks for helping out a bonehead!
    __________________________

    FCS3 / Adobe CC
    3.33 GHz 6-Core Intel Xeon Mac Pro
    24GB RAM
    ATI Radeon HD 5870
    …and a few TeraBytes o’ storage
    (then it’s on to PetaBytes, ExaBytes and MosquitoBytes!)

    Jon Doughtie replied 6 years ago 3 Members · 4 Replies
  • 4 Replies
  • Jon Doughtie

    April 24, 2020 at 5:10 pm

    You can always open it in Audition first and get it the way you want it.

    Alternatively, create some FX presets you can access in PPro that will help manage it.

    System:
    Dell Precision T7600 (x2)
    Win 7 64-bit
    32GB RAM
    Adobe CC 2017.1 (as of 8/2017)
    256GB SSD system drive
    4 internal media drives RAID 5
    Typically cutting short form from UHD MP4, HD MP4, and HD P2 MXF.

  • Tad Newberry

    April 24, 2020 at 6:13 pm

    Thanks, Jon –

    Do you get the same issue(s)?

    thanks for helping out a bonehead!
    __________________________

    FCS3 / Adobe CC
    3.33 GHz 6-Core Intel Xeon Mac Pro
    24GB RAM
    ATI Radeon HD 5870
    …and a few TeraBytes o’ storage
    (then it’s on to PetaBytes, ExaBytes and MosquitoBytes!)

  • Paul Neumann

    April 27, 2020 at 5:00 pm

    Import, highlight in the Project Panel, G, -12.

  • Jon Doughtie

    April 28, 2020 at 10:16 am

    Tad, it depends upon the source, but I have seen that too. Generally that audio has been [1] heavily compressed (leveling out the tops of the waveform, eliminating dynamics) and [2] normalized (“stretching” the entire waveform relative to loudest peaks, which were lost during compression, often to 0dBFS or maybe -1 dBFS.)

    Pull a contemporary music track from YouTube and you’ll often see this. Tracks treated like this are a “wall of sound”.

    System:
    Dell Precision T7600 (x2)
    Win 7 64-bit
    32GB RAM
    Adobe CC 2017.1 (as of 8/2017)
    256GB SSD system drive
    4 internal media drives RAID 5
    Typically cutting short form from UHD MP4, HD MP4, and HD P2 MXF.

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