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Activity Forums DaVinci Resolve panny

  • Posted by Paulson Lang on August 24, 2011 at 2:24 am

    Hi,
    Is there a really big difference between consumer and pro plasma monitors? Cause i want to buy for home theater as well as color correction for dcp’s.I am looking in to vt20 series.

    Am i a bit over ambitious here?

    Thanks
    PL

    Joakim Ziegler replied 14 years, 8 months ago 7 Members · 8 Replies
  • 8 Replies
  • Danny Scotting

    August 24, 2011 at 4:10 am

    I have one at home (50″) and one as a client monitor (58″). They are amazing monitors and reasonably priced.

    Go for it!!

    Danny Scotting – Senior Colourist
    Post Op Group Sydney

    https://postopgroup.com.au/site/?page_id=1052

  • Jake Blackstone

    August 24, 2011 at 5:32 am

    Consumer monitors can’t do 24P, only 24 psf. Panny wants you to buy the Pro version:-)
    Also, you can’t really use Plasma monitor for DCP deliverable grading.

  • Paulson Lang

    August 24, 2011 at 6:19 am

    Rec 709 is almost close to the p3 colospace for dcp. I would be happy if i achieve rec709 color space in panny vt 20 series model.

    Thanks
    pl

  • Sascha Haber

    August 24, 2011 at 8:26 am

    And what about that weird energy saving mode that dims the screen so drastically its almost impossible to calibrate ?

    A slice of color…

    DaVinci 8.0.1 OSX 10.7
    MacPro 5.1 2×2,4 24GB
    RAID0 8TB eSata 6TB
    GTX 470 / GT 120
    Extreme 3D+ WAVE

    http://www.saschahaber.com

  • Walter Biscardi

    August 24, 2011 at 11:10 am

    Screen itself is the same for both. It’s the electronics behind it that are a bit different for both. Also the Pro model has a modular input design so you can add / change your inputs as you need. Sometimes the Pro model is cheaper because it does not have a tuner. In fact it used to much cheaper but then the consumer models dropped pretty drastically in price.

    Keep in mind the floating white point issue with all plasmas make them a great secondary monitor for the client, but not an absolutely perfect monitor for color grading unless you’re able to calibrate it on pretty much a daily basis. Even then, the white will drift during the day.

    Walter Biscardi, Jr.
    Editor, Colorist, Director, Writer, Consultant, Author, Chef.
    HD Post and Production
    Biscardi Creative Media

    Blog Twitter Facebook

  • Valeriu Campan

    August 24, 2011 at 2:02 pm

    I am considering to use a 42″ gt series panel. I spoke to a calibrator who said that from the current models, only with the x30 series he can access some part of the menu with an access code, and calibrate them close to a reference REC709. I was also told that there is no point doing anything like this unless I run for at least 100 hours, before I book him.

    Some reviews here:

    https://www.hdtvtest.co.uk/news/panasonic-tx-p42gt30b-p42gt30-201103281070.htm

    https://www.avforums.com/review/Panasonic-GT30-TX-P50GT30B-42GT30-46GT30-50-Inch-3D-Plasma-TV-Review.html

  • Jake Blackstone

    August 24, 2011 at 7:38 pm

    300 hours is more like it.

  • Joakim Ziegler

    August 24, 2011 at 8:42 pm

    Rec.709 is nowhere near the size of the P3 space. Rec.709 is missing something like 40% of the P3 space’s colors, if I remember correctly. There’s a pretty big difference.


    Joakim Ziegler – Postproduction Supervisor

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