Creative Communities of the World Forums

The peer to peer support community for media production professionals.

Activity Forums Apple Final Cut Pro Legacy PAL NTSC Video Converter

  • PAL NTSC Video Converter

    Posted by Josh on June 10, 2005 at 11:05 pm

    I am working in post at a production company. We are going to recive a small quantity of PAL mini DV tapes. We need to convert these tapes to NTSC mini DV. For us, it is not really worth it to send them to a transfer house, because of the number of tapes. So in my initial research i have found a couple of converters, but i would like to hear feedback from some people who have used them. Basicaly the good, the bad and the ugly of these converters. Also the ones that i have found only have video jacks, how does the audio sync up? Theoretically wouldnt there be more video than audio, but also the video, even though there are more frames, plays at the same speed so the audio should sync. Information on the converters themselves is what i am after, but if anyone can answer the other question as well please do.
    Thanks

    John Pale replied 20 years, 11 months ago 5 Members · 12 Replies
  • 12 Replies
  • Ben Oliver

    June 10, 2005 at 11:18 pm

    some dvcam decks will actually play pal…..try playing it in a dvcam deck first, and then outputting them to new minidv tape.

    -ben

  • Josh

    June 10, 2005 at 11:26 pm

    I am not having a playback problem. But we have to get the PAL footage into our show. I did try a deck to deck transfer, one set on PAL and the other on NTSC, but the NTSC deck acts like there is a copy inhibit(Even though there is not). It just does not let you record. That is why i am now looking for a converter.

  • Ben Oliver

    June 10, 2005 at 11:30 pm

    hmm, i work at harvard university part time and we have what is known as a time base corrector……….that does the job for us, but its not cheap. …… thats right, hmmm…..

    rent a pal deck?

  • Josh

    June 10, 2005 at 11:36 pm

    How much, and what exactly do they do. See are DV decks will play both PAL and NTSC so i thought as a longshot i could record one playing PAL onto one set on NTSC. I know the decks are not converters, but i thought maybe i could trick it. but no dice.

  • Ben Oliver

    June 10, 2005 at 11:38 pm

    maybe you can get one of those cheesey radioshack converters or something?

    time base correctors, least the one we had, cost at least, i think anyhow, like, 1500 dollars, and at that point, may be better to just get it transfered at a pro place.

  • Josh

    June 10, 2005 at 11:41 pm

    Thanks, yeah i think thats what im gonna have to do

  • Bryce Whiteside

    June 10, 2005 at 11:50 pm

    If I am not mistaken the Sony DSR-11 plays both NTSC and PAL.

    Since you already claim that you have VTR that has a setting for PAL, simply capture PAL into FCP and get Nattress’s Standards Converter for $100.
    https://www.nattress.com/standardsConversion.htm

    There is realtime standard converter boxes, but they are very expensive–it would be like swatting a fly with a sledge hammer.

    No brainer solutions…
    KISS…
    Bryce

    PS This is a simple solution if all you want to do is use PAL in a NSTC project.

  • Josh

    June 11, 2005 at 12:02 am

    thanks, this sounds like a good solution. In terms of time/people hours though would this be the best and most cost efficient option for, say 10-20 PAL DV tapes that need to be logged in excel and then captured. We are dealing with archival footage.

  • David Battistella

    June 11, 2005 at 3:12 pm

    Let’s do the math:
    A
    Capture PAL
    10 to 20 hours
    B
    Transcode and render clip by clip PAL to NTSC
    40 to 60 hours

    C
    Have the tapes professionally transfered
    10 to 20 hours
    D
    Capture NTSC tapes
    10 to 20 hours

    The Natress filters are fantastic, but I would use them on finished shows, not for a job tis large.

    Now all you have to figure out is if a+b is actually is cheaper than c+d

    David

  • Bryce Whiteside

    June 11, 2005 at 3:54 pm

    Your math did not include the variable of what percent (%) of the raw footage would be actually used.

    At most they would probably only use 5% to 20% of the PAL at most.

    Capturing 10 to 20 hours of raw footage is just plain lazy.

    Log your tapes with the ability to import selects into FCP’s Bins. Capture your Best Take’s and Good Take’s and then convert to NTSC.

    My 2

Page 1 of 2

We use anonymous cookies to give you the best experience we can.
Our Privacy policy | GDPR Policy