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Activity Forums Apple Final Cut Pro Legacy PAL Colour Bars from FCP

  • PAL Colour Bars from FCP

    Posted by Tall Jim on October 30, 2006 at 9:47 am

    Can anyone tell be if the PAL colour bars created by FCP are an acceptable format for UK broadcasters?

    I think the levels are fine, but the physical layout of the test pattern doesn’t tally with my experience of 75% and 100% PAL bars – which are usually a set of full height bars without the greyscale, or the reverse sequence colour strip.

    Maybe it doesn’t matter one jot!

    Thanks

    James

    Tall Jim replied 19 years, 5 months ago 4 Members · 5 Replies
  • 5 Replies
  • Peter Wiggins

    October 30, 2006 at 4:10 pm

    5.1.2 has full height PAL bars

    Peter

    Free Motion Templates

    peterwiggins.com

  • Enge

    October 30, 2006 at 4:28 pm

    The “PAL” bars that are generated when you ask for PAL are in fact what you would usually find at the line-up for N.T.S.C material. If you go to the same generator, (filmstip with A) and go to >others>more bars and signals, you will find true PAL bars. The default being 100:0:75:0. If you then go to the controls tab you can choose which test signals you want.

  • Paul Nevison

    October 30, 2006 at 5:42 pm

    That’s a great tip! perhaps there should be a FAQ for FCP PAL users…we have to remember that Apple, due to economic reasons, is always going to be USA and therefore NTSC-centrique.

    FCP is great but is primarily developed for the NTSC market…I can’t see that changing anytime soon. what do you think Peter? Time for a resource of FCP for PAL gotchas?

    just a thought

    G5 DP 2.0 (Power PC)
    4.0G RAM
    OS 10.4.8
    QT 7.1.3
    FCP 5.1.2
    BMD Decklink Extreme 5.7.2
    PAL Land

  • Peter Wiggins

    October 31, 2006 at 5:20 pm
  • Tall Jim

    December 18, 2006 at 2:19 pm

    Hey All

    Thanks for the info, and sorry for the long pause.

    My techie manager won’t go to 5.1.2 yet but its good to know the bars are there.

    I agree about PAL forum – just a side shoot needed really…

    Jim

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