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P2’s AVC-I 100 codec via Apple AVC-I 100 or Pro Res 422 HQ options
I’m having a hard time deciding between using FCP 7.0.3’s Log & XFer w/ its ability to set the imported .MOV to native Apple AVC-I 100 codec vs Pro Res 422. There are a lot of clips (at least 6,000 hrs) over 7 years period and Pro Res 422 HQ is consuming too much hdd space because this is not a green screen shoot. In someway Pro Res 422 HQ is overkill for non-compositing footage. Mostly shot on 2/3″ HPX3000 series cams. I personally can’t tell the difference between AVC-I 100 vs Pro Res 422 HQ when converted. Perhaps someone can shed some lights to these codecs and which one should used for certain application.
The Apple’s AVC-100 is smaller in size than Pro Res 422 HQ. The question is that is there any other 3rd party utility that will rewrap the P2’s MXF to Apple native AVC-I 100 and not Pro Res 422 besides FCP 7?
I’m aware that I can do all of the P2 import in FCP 10.1. But I need to share the .MOV for After Effects CS6 and with full audio. CS6 will take the native P2 AVC-I 100 MXF fine, but only video but no audio. And it gets tedious when you have spanned clips and long takes. So the Log & Xfer to .MOV workflow is something I have to use.