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Activity Forums Apple Final Cut Pro Legacy Outputting Audio from FCP to Beta For Broadcast

  • Outputting Audio from FCP to Beta For Broadcast

    Posted by Rsk3527 on June 22, 2006 at 7:40 pm

    Hi Everyone,

    Right now I’m editing a project for broadcast on FCP 5.1. This is my first project for broadcast. I have mixed the show in FCP so that the levels are normally hovering around -12db peaking at -6 db at the highest in the FCP audio meter.

    I am outputting to UVW-1800 through a Kona LHe card. When I output I run tone from fcp at -12db and adjust the deck so that this hits 0db on the uvw-1800’s meter. However the audio levels are running from around -15 to -5 at the highest on the uvw-1800. This seems low to me.

    THREE QUESTIONS:
    Should I be outputting a different tone?

    Does anyone know what the standard levels for television broadcast are?

    What are the levels the uvw-1800 should be reading for broadcast?

    Thanks,
    Rich

    John Pale replied 20 years, 1 month ago 3 Members · 5 Replies
  • 5 Replies
  • John Pale

    June 22, 2006 at 8:21 pm

    For most of the network stuff I have done, tone was required to be at -20 not -12.

  • Matt Larson

    June 22, 2006 at 10:09 pm

    Yep, tone at -20dB and keep your audio peaks to -12dB. DO NOT let them go above -10dB on the Final Cut meters!

  • Rsk3527

    June 23, 2006 at 2:19 pm

    So just to clarify, I should keep the peaks to -12db no higher than -10db when mixing in fcp. Then use -20db tone to output to beta.

    Does this mean dialogue and VO should be hitting -12db on the fcp mixer?

    Should the peaks on the UVW-1800 be hitting around zero?

    Thanks again.

  • John Pale

    June 23, 2006 at 3:05 pm

    [rsk3527] “Should the peaks on the UVW-1800 be hitting around zero?”

    You are confusing VU and Db. They can and should peak higher than that. Remember, -20 VU in FCP = 0 db on the 1800. Consult the network you are delivering to for what they want. They usually have this info in a printed document., You will get different answers from different people about what is “correct”.

    For most shows you will have too much dynamic range. To keep everything sounding good, and within the narrow area which TV broadcast specs demand, its kinda advised to use compression filters. You can do that within FCP, Soundtrack Pro, or ideally export to Pro Tools and have an audio expert do it.

  • John Pale

    June 23, 2006 at 3:18 pm

    Ugh…I wrote that backwards.

    -20 db tone in FCP = 0 VU on your UVW 1800 meters

    I’ll shut up now.

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