Hi all. Good questions and suggestions. May I please make one combined answer here, and try to wrap everything in? The goal is a good clean key in a relatively small space, with minimal noise and spill, because we want to use a light-colored backdrop in post. So the noise has to go.
I tried CK before, with lights on both talent and backdrop, but I got a lot of green spill on the talent which I could not suppress (magenta, etc.). I am in a smaller space now (14 x 10), and my editor does not want a set(!), so after trying everything else I gave chroma another try, thinking maybe if I lit just the subject I would not get spill on the talent. I also pulled the shades from the key and fill, thinking that would give me more even lighting (but it sounds like that was wrong). Below is my existing studio-in-progress (with in-progress-mess).


My editor said he wanted a lighter, more neon backdrop (to get a better separation between talent and screen), so I found some cheap neon fabric (folded up on the table, in center) which I pinned up temporarily for the test shot above (which is why all the wrinkles). My editor likes the cloth, so I plan to get a rod pocket sewn in, so it will lay flat in production.
About the lights, due to past issues with green spill, I would prefer to start by trying to even out the lighting. And then if that does not work, then maybe I can try adding light to the screen? I am using CFL’s, so heat is not a huge issue (except maybe in summer). However, if I use either reflectors or diffusers, won’t that mess with the key and fill? And if not, which is better–reflectors, or diffusion?
I no longer have the stock reflectors, but if it will solve my problem I will get some.
Thank you all.
Norman Willis
http://www.nazareneisrael.org