OT Resolve 14

[Gerry Fraiberg]

[Ricardo Marty] “Kind of makes adobe production apps look like a lesser product. except PS and AE”

And then there is Affinity Photo as a Photoshop alternative.

https://affinity.serif.com/en-us/photo/

– Gerry Fraiberg
Media Handyman – videographer, editor, photographer, voice over artist.
______________________________________________
http://www.visionandvoice.ca
❖ ❖ ❖

[Morten]

But exchanging AE with Fusion is not quite as easy…

– No Parking Production –

Adobe CC2014, 3 x MacPro, 3 x MbP, Ethernet File Server w. Areca ThunderRaid 8

[Brian Seegmiller]

If DaVinci Resolve keeps doing these updates they may just as well be king of the NLEs.

[Michael Gissing]

Even I am surprised at how quickly they have included Fairlight features. For me there are a few things I want to clarify like sound FX library management & search tools. But for me with the Fairlight controllers and FPGA card I can now do everything on the one machine and tweak grade and mix without running to another room and computer.

So this is huge folks, particularly with the performance improvements. I don’t know why it is OT. It may well be the topic of NAB.

[Herb Sevush]

[Michael Gissing] “his is huge folks, particularly with the performance improvements. I don’t know why it is OT. It may well be the topic of NAB.”

I agree. To have all these tools within the ap as opposed to linked to the ap is a huge advantage. I have been putting off trying Resolve because of the reputed slowness and demands for massive GPU, but these announcements may have me re-thinking my future editing path.

Herb Sevush
Zebra Productions
—————————
nothin\’ attached to nothin\’
\”Deciding the spine is the process of editing\” F. Bieberkopf

[Daniel Frome]

I tried it this morning. It’s finally fast enough to “edit” for real on my laptop.

[Chris Harlan]

I got a half an hour demo with it at NAB. Its a magnificent piece of software. I still prefer Premiere as an NLE, but it has some real cool stuff. AND, it no longer slogs–it now runs well on lesser systems. I’ll drop 3 hundred on it. Its a really nice tool.

[Andy Patterson]

[Ricardo Marty] “For 299. (or free) you get fusion advance and fairlight. Plus a powerfull nle.

Wonder what’s happening in the minds of the powers that be at adobe or avid?

Now davinci will be everywhere that counts.

Kind of makes adobe production apps look like a lesser product. except PS and AE”

It makes the offerings from Apple look like a lesser product as well. You forgot to mention that. How come?

BMD has come a long way. Perhaps BMD will invest in photo editing and graphic design software before Apple. That is what you might want to be concerned about especially if BMD can allow for seamless integration. Don’t act like Apple is untouchable. Having said that for some Adobe will still be the way to go and for others Apple will still be the way to go.

[Scott Witthaus]

[Ricardo Marty] “or 299. (or free) you get fusion advance and fairlight. Plus a powerfull nle.

Wonder what’s happening in the minds of the powers that be at adobe or avid?
“

What Symphony should have been. Can’ be happy in Avid-land, but they did release their free starter version, MC|First.

Scott Witthaus
Owner, 1708 Inc./Editorial
Managing Partner, Low Country Creative LLC
Professor, VCU Brandcenter

[Ricardo Marty]

Quite true but how can they justify the cloud model for video production in light of what bmd offers? These tools are already in most post houses and editing facilities. Not to mention pricing What about the collaborative features. (dont use these)

I think adobe will have to start giving out a free version to compete. avid has just started with composer and protools free

Ricardo Marty