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Activity Forums Apple Final Cut Pro Legacy Music Video shot on Red Cam 3K and 5d editing on FCP

  • Steve Watkins

    September 4, 2010 at 2:15 am

    I am in the LA area and have worked for MTV as well.

    Look I’m just trying to make the best music video I can. a lot of friends donated their time on the shoot and this will go on all our reels.

    The color house is a pro place that handles features, commercials and other well funded productions. My producing team and I have banked a a lot of favors, with local pros, over the years and we called them all in for this.

    So I’m sitting here with beautiful footage and a non intel G5. the DVCProHD files play back wonderfully on my system. If it’s possible to up res on my system, great. If not I’ll find a work around. maybe even the color house, if they’re feeling generous.

    I will call the color place and ask what format they would like the video in. I was wondering what frame size my final should be.

    When my master’s colored can’t I convert it from there to DVD quality, web quality and maybe blue ray?

  • Shane Ross

    September 4, 2010 at 2:28 am

    Ok. Finish 1080 psf 23.98. You can encode to BluRay and DVD from there, and output to multiple tape formats.

    Shane

    GETTING ORGANIZED WITH FINAL CUT PRO DVD…don’t miss it.
    Read my blog, Little Frog in High Def

  • Steve Watkins

    September 4, 2010 at 2:46 am

    will do. A good looking, versatile master, sounds perfect.

    I have taken your advice about working backwards to heart. with the exception of color, I am the entire post team and the G5/FCP is my post house. it’s very different from the TV production i’m used to. So i’m learning a lot, to say the least. thanks for the help.

  • Steve Watkins

    January 13, 2011 at 10:39 pm

    they there. since we last talked. I have become the only (or lead) A.E. on a reality show for VH1. this show is a mother. we shot 5/7d and hd vercam. we had two audio mixers recording to stand alone units. the director shot jpg sequences in rapid fire succession on the 5d, that play back like time-laps. We also have editors that work in house and remotely. We’re working in MC 3 (no a2a). before this job i had never worked in avid. so as you can imagine, I’ve been thrown into the fire.

    I just wanted to write you and let you know that with a greater understanding of the whole process, i see why my question to you was vague at best.

    thanks for taking the time to answer and help me out.

    – Steve

    p.s. i’m on the hunt for a good program that will let me screen capture (.mov not still) in HD. can you recomend anything?

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