monitor 24p over firewire

[Jeremy Garchow]

[Daryl K Davis] ” reverse telecined to 24fpa.”

What do you mean by this?

[Daryl K davis]

How are you monitoring?
– back through my DSR-45 DVCAM deck – component out to SONY PVM1954Q monitor

What else is connected to your computer?
– strictly editing station

How fast are your drives?
– Lacie Firewire 800

What easy setup did you use?
– DV NTSC 48kHz – 24

Did you have to render your timeline at any time?
– it doesn’t indicate that I need to render

What pull down pattern is selected in the rt menu?
RT: Safe
Video Quality: Dynamic
Frame Rate: Dynamic
Pulldown Pattern: 2:3:2:3

What kind of computer do you have?
MacPro 2×3 GHz-Quad Core Intel Xeon

Do you have a capture card?
No, but can get an AJA IO LD

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DK Davis / Editor/ Post Super
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[Daryl K davis]

24 frames per second (typo)

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DK Davis / Editor/ Post Super
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[Jeremy Garchow]

[Daryl K Davis] “- Lacie Firewire 800”

Are the drives and deck on separate busses?

Jeremy

[Daryl K davis]

So even though I am cutting a feature film I reverse telecine to 23.98?

I do it with HDCAM shows but I always thought a full 35mm feature had to be done at 24 frames per second.

What am I going to run in to down the road when they want the EDL for the DI and such?

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DK Davis / Editor/ Post Super
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[Shane Ross]

[Daryl K Davis] “24 frames per second”

TRUE 24fps? Not 23.98? I don’t think that FCP can send a true 24fps signal out thru firewire to play on an external monitor. 23.98 yes, 24fps, no.

Shane

Littlefrog Post
http://www.lfhd.net

[Jeremy Garchow]

[Daryl K Davis] “What am I going to run in to down the road when they want the EDL for the DI and such?”

I’d call the people that are going to do that for you, but you can conform from 23.98 to 24 as well. Call your DI house.

Jeremy