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Activity Forums DSLR Video mixing Pro ress 4444 and Pro res 422 (LT)

  • mixing Pro ress 4444 and Pro res 422 (LT)

    Posted by Tony Gomez on March 30, 2011 at 2:28 am

    Just notice I imported all my files from my D7 in Apple pro res 422 (LT) and in 4444.. would this be a problem.. it’s HD 1920×1080.. Final Cut pro 7.. anyone?

    Shane Ross replied 15 years, 1 month ago 3 Members · 2 Replies
  • 2 Replies
  • Noah Kadner

    March 30, 2011 at 4:46 am

    Visually not so much but 4444 is quite a higher bitrate that is way overkill for 7D footage. Going to require a lot more and faster hard drives to edit. I’d go back and re-compress to ProResHQ if it’s a lot of footage. If it’s a little you’ll probably be fine.

    Noah

    Unlock the secrets of 24p, HD and Final Cut Studio with Call Box Training. Featuring the Canon 5D Mark II and 7D.

  • Shane Ross

    March 30, 2011 at 6:51 pm

    NOt only is 444 overkill, it damages the image. Any time someone transcodes 5D or 7D to 444, my luminence hits a ceiling of 98 when i color correct. It won’t go above. And the floor is 0 IRE. This might be fine for broadcast work, but not everything is broadcast…and when color correcting, you want to push beyond those limits anyway.

    Shane

    GETTING ORGANIZED WITH FINAL CUT PRO DVD…don’t miss it.
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