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mixed-media SD workflow questions for the gurus
Hi all–
We’ve just made the switch from FCP 4.5/Cinewave to FCP 5/K2, so apologies for the newbie questions. We’re undertaking a big project this month that will involve interviews shot on DV (DVX-100a, 24p, anamorphic) and b-roll shot on film (super 16, 24p, brought in via beta or digibeta as 16×9 anamorphic).
The end result will be an anamorphic DVD, plus various compressed versions for playback on the web.
Given that throwing DV footage on an uncompressed timeline isn’t going to work very well with Kona2, what would you recommend for workflow? We’re thinking it probably makes sense to get all the media to 24p uncompressed 8-bit anamorphic files, and editing in a 24p 8-bit anamorphic timeline.
Does Kona offer 30-24 reverse telecine?
What’s the best way to get 24p footage from the DV camera as uncompressed media for Kona editing?
Or would it be easier to just keep the telecine in, and have everything be at 29.97 fps?I appreciate your time. Happy 4th.
Mark Lyon
Mighty Max Films