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Lot Mallari
December 7, 2009 at 10:56 pmThat was the recommendation of our vendor (rental company), but the producer doesn’t like it. I don’t remember what type of E6 did we rent.
Obviously should be unidirectional? Is that correct?
Lot
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Ty Ford
December 7, 2009 at 11:04 pmLot,
Why doesn’t your producer like it?
Omni is fine.
Ty Ford
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Lot Mallari
December 7, 2009 at 11:16 pmI believe it’s preference. He decided to use Sennheiser MKH416, because he used it before on his previous dvd commentary
Should I use unidirectional or omnidirectional E6?
Lot
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Ty Ford
December 7, 2009 at 11:41 pmLot,
as long as he can get w/in 18″ with the 416, fine.
as I said, omni for the b6.
Ty Ford
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Lot Mallari
December 8, 2009 at 12:05 amSorry I just want to clarify something. You’ve mentioned before E6 and now you said B6.
Which one is correct?
Lot
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Jordan Wolf
December 8, 2009 at 12:09 amScrew the preference – this is about what will best capture the source audio.
Why not rent the MKH416, buy an E6, and use both – then choose which one sounds better in post-production? You’ve got 4 channels of nice preamp to work with…I say use it! You can ALWAYS find a use for an E6 (works great on-stage for corporate productions and violinists). Shotgun mics have a more limited use as compared to an E6, in my opinion.
Wolf
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Ty Ford
December 8, 2009 at 12:16 amsorry, it’s after 7pm here. E6 OMNI
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Lot Mallari
December 8, 2009 at 12:37 amThanks Ty and Jordan for your time answering my questions.
Lot Mallari
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