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Activity Forums Apple Final Cut Pro Legacy media manager 23.98/24 issues

  • media manager 23.98/24 issues

    Posted by Stephen Eckelberry on August 24, 2006 at 3:22 am

    I am editing a film at 23.98 DVCPROHD codec (from hvx200 720×960 shot at 23.98).
    I have been media managing material with no handles in order do some after effect work.
    Here’s the problem: The shots I’ve been exporting are longer than the original! At first I thought that media manager was adding handles, but then I realized that the longer the original shot, the longer the Media managed shot. I suspect that media manager is turning the material into pure 24 frame material. The confimation of this is that if I take the MMed shot and do a fit-to-fill edit on track 2 above the original, it matches perfectly. The speed for the fit-to-fill is 101.77.

    I tried many different settings for Media manager. I tried copying the files (keeping the original codec) and I tried recompressing into a variety of different codecs, making sure each time that I am maintaining the 23.98 fram rate – all with the same result. WTF?

    Stephen Eckelberry

    Stephen Eckelberry replied 19 years, 8 months ago 2 Members · 4 Replies
  • 4 Replies
  • Shane Ross

    August 24, 2006 at 3:28 am

    Don’t use the Media Manager. Load the clip into the Viewer, mark your IN and OUT points and export a Quicktime Movie, self contained. That will have exactly the same properties.

    Shane

    Littlefrog Post
    http://www.lfhd.net

  • Stephen Eckelberry

    August 24, 2006 at 4:14 pm

    I agree, that works great. But I am trying to export entire timelines, 5 reels at 500 edits per reel. that’s a lot of cuts. yes I can export big huge sections, but that reduces flexibility, as I want to have an interchangable workflow, with the AE guy color correcting as I lock reels.

    I suspect that this might be because I never actually captured the footage, instead using P2 cards. So the footage is probably missing metadata. I have heard that Avid keeps all the metadata from P2 footage, while FCP is more selective.

    I do not have a decklink/kona card installed, which might add the necessary meta-data – sort of like a virtual timecode blackburst generator?

    Stephen Eckelberry

  • Shane Ross

    August 24, 2006 at 7:23 pm

    Get Automatic Duck Pro Export for AE.

    And it doesn’t matter if you imported from P2 rather than tape. If you lose a file you can always reimport from the original MXF files and relink, just like batch capturing from tape.

    Shane

    Littlefrog Post
    http://www.lfhd.net

  • Stephen Eckelberry

    August 26, 2006 at 9:33 pm

    Thanks for the tip. That is an amazing program.

    Stephen Eckelberry

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