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Media Management Best Practices
Hey guys,
This is something that has caused many hiccups many times, so I figured I’d post about it specifically to see if anyone has any thoughts or suggestions.
I have a feature film project, shot on a 5D MKIII with separate audio. All of the footage exists in folders specific to the scenes, along with the audio. I want this folder separate of the Final Cut Events proprietary folders.
In FCPX, I’ve got all my footage brought into their respective events, and I have ‘Copy Media to FCP Directory’ set to off, so the footage is sourced from it’s location in MY folders.
Since the footage is H264, I had FCPX generate the ProRes 422 Optimized Media and ProRes Proxy Media, which now reside in the Event folders respectively.
What I’m not understanding, is that every time I try and split off an Event onto a separate drive, it never brings along all of the needed data with it, so I pull up the drive on my remote machine and discover that there is a bunch of stuff online, though I specifically had it copy the media during the Event and Project Duplication process.
For example..currently I have a project that has ALL of the clips in the Proxy Media Folder AND the High Quality Media Folder, and yet when I toggle off Proxy mode so that it will use my Higher Rez Optimized clips, all of the footage is offline because the “original” media, the H264 media that I don’t even need to edit with, isn’t on this machine.
Can someone please elucidate something of a best practice for this necessity of media management.
Thanks!