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Activity Forums Avid Media Composer MC 5 announced… Smoking!!

  • MC 5 announced… Smoking!!

    Posted by Terence Curren on April 11, 2010 at 5:31 pm

    https://www.avid.com/US/products/Media-Composer-Software/features

    Work Directly with RED Using the Newly Improved AMA
    With Media Composer 5, AMA (Avid Media Access) has been completely reengineered, so you can work natively with more file-based media formats now and in the future. With the new and improved AMA, you can speed up RED workflows by directly accessing RED files (.R3D) in Media Composer without having to prepare them through MetaFuze (all footage is scaled to HD frame size). Plus, you have access to its full metadata and color management data too.

    Edit QuickTime Formats Natively
    Get native access to all popular QuickTime formats, with full access to clip metadata. Thanks to AMA, you can natively access and edit any movie that can be played in Apple’s QuickTime Player (including Apple ProRes and .mov files captured by Canon 5D and 7D cameras) right in Media Composer — no transcoding, rewrapping, or logging and transferring required.

    Drag and Drop Video and Audio to Edit
    Get comfortable — with Media Composer 5, you can truly edit the way you like. In addition to the standard way of editing, you can also now directly manipulate elements in the timeline to edit video and audio. Drag and drop clips anywhere you want on the timeline to rearrange sequences. And grab a clip’s in or out point and drag to trim a scene, dialog, or music.

    Get Full-Quality HD-RGB Processing
    Keep those finishing jobs in house, and deliver the highest quality color and effects work, with support for full-quality 4:4:4 HD-RGB color space processing in Media Composer. With the higher resolution detail, you can perform color correction, keying, and effects work with greater precision and ease. And if you have a Nitris DX-based system, you can digitize, process, monitor, and output (output in Symphony systems only) projects in HD-RGB, using the two HD SDI connections to handle the high-bandwidth resolutions.

    Monitor Video Externally through Matrox MXO2 Mini
    If you don’t have a Nitris DX- or Mojo DX-based system, Media Composer 5 opens the door to third-party workflows, enabling you to monitor video externally using the Matrox MXO2 Mini interface, which is available for Mac and Windows systems. When paired with Media Composer software, MXO2 Mini becomes a dedicated, high-quality monitor-only solution for file-based or workgroup production, so you can view your video work in real time without any major expense.

    Terence Curren
    http://www.alphadogs.tv
    http://www.digitalservicestation.com
    Burbank,Ca

    Sean Lander replied 16 years ago 7 Members · 12 Replies
  • 12 Replies
  • Paul Harb

    April 11, 2010 at 5:56 pm

    bah……so you can use the Matrox for monitoring…..you can edit QT files…..why not take the logical step and let people use a Kona card for I/O? Very dissappointing Avid….I thought you guys were getting it, but it seems as though you cannot let yourself let go of control even if it means going down with the ship. FYI, people buy the media composer interface…not your hardware…your hardware is waaaaaaayyyyy overpriced which makes it a hard purchase for a shop that is looking to buy a system when they know they can get the same quality out of another system. I was really hoping this was the year you guys took the right step, but guess not.

    Paul

    Paul Harb-Producer/Director
    Wrong Beach Multimedia
    Dual 3.2 GHz Quad/10.5.5/8GIG RAM/FCP 6.0.4/QT 7.5.5

  • Grinner Hester

    April 11, 2010 at 5:56 pm

    sweet.
    The first MC5 gave us the 3D DVE that’s still neglected.
    1995 lasts longer for some companies than others.

  • Grinner Hester

    April 11, 2010 at 5:58 pm

    give up.
    I have. If they wanted to compete they would have shown signs of it by now. I put the over/under of the big sell/merger at six months from now.

  • Andrew Kimery

    April 11, 2010 at 7:09 pm

    I guess the grass is always greener on the other side ’cause as someone who has been cutting on FCP the past 4-5 years (after nearly as long working solely w/Avid) I look at the new features Avid, and to a lesser extent Adobe, have been rolling out the last few years and I want in on that action.

    -Andrew

    3.2GHz 8-core, FCP 6.0.4, 10.5.5
    Blackmagic Multibridge Eclipse (6.8.1)

  • Job Ter burg

    April 11, 2010 at 10:08 pm

    And that’s just the beginning. Some more stuff I heard/read:

    AMA Red Rocket support.
    Enhanced AutoSync & BWF handling features.
    Stereo tracks.
    RTAS support (realtime AudioSuite).

    If there ever was a time that Avid got it right…

  • Grinner Hester

    April 11, 2010 at 10:08 pm

    That’s just it. Avid now compairs to apps like FCP, Vegas and Premiere because those apps have evolved much quicker than Avid in the last 10 years. That just wasn’t the case back when Avid was Avid.
    They’ll not recover at this point. The spiral is beyond any funky marketing tactic or price reduction that only proves what I stated above.

  • Grinner Hester

    April 12, 2010 at 1:45 am

    all this with a still jokingly aliased DVE from 1995 (the first MC5), multiple buggage (more to be found in this release, we’re all sure), still limited audio, and obviously more stock in adobe and apple purchased by Avid. (I kid, I kid)
    While these new features are cool, the obvious place (to me) for them to start would have been to start fixing what is wrong… not venturing into yet more new bug territory for us to pay to beta test for em.
    That’s the bottom line. Get it right then release it. As it is right now, they’ve burned too many bridges to expect a fleet of eager upgraders.
    I’ll still hang back. I do want a great RED workflow but I’ll wait till some dust settles for obvious reasons.

  • Andrew Kimery

    April 12, 2010 at 2:29 am

    I could pretty much say the same things about FCP, Grin. People are questioning Apple’s commitment to the post industry, some software is only getting ‘up keep’ type updates (ex. the current version of DVD Studio Pro is 5 yrs old this month), etc.,. I look at Avid and, especially given the work environment I’m in, I see things like media management, asset management, open timeline (that works right), script sync, AMA, a better multi-user environment, etc., and I start turning green w/envy.

    I know Adrenaline burned a lot of people but when I look back at what Avid, as well as Adobe, have been doing over the past 3-4 years they just seem like they’ve got more fire in their belly than Apple does w/regards to post.

    I still say your grass is greener. 😉

    -Andrew

    3.2GHz 8-core, FCP 6.0.4, 10.5.5
    Blackmagic Multibridge Eclipse (6.8.1)

  • Grinner Hester

    April 12, 2010 at 2:35 pm

    while I hear ya, those things were what attracted folks to Avid a decade ago when the company was still competing. FCP was a low end consumer app at the time. One is simply growing faster than the other. I don’t think that’s debatable. Either they’ll make another executive shift and move forward, recovering from their mistakes or lack of care in the last half dozen years or we’ll soon all be cuttin’ on a Final Cut Avid.

    nooow we’re talkin’.

  • Sean Lander

    April 14, 2010 at 1:45 pm

    Really? You think Apple will buy Avid?

    That would be interesting. Though I doubt there is much Apple would gain from it.
    Maybe Adobe? That would make more sense to me.

    Anyway kudos to see Avid FINALLY taking on FCP and stealing some of their ideas for a change.
    Really the whole interface needs an overhall, but all these features look good.

    Hope there is a totally customisable keyboard in there too.

    R E D N A I L – M E D I A
    web: http://www.rednail.com.au
    email: rednail@me.com

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