Match Frame Bug in CC

[Peter Garaway]

Hi Greg,

Yes there are known issues using Match Frame on merged clips.

You can find more info here: https://forums.adobe.com/message/5459364#5459364

Sorry for the inconvenience. We’re working on resolving this.

Peter Garaway
Adobe
Premiere Pro

[Greg Janza]

peter-

thanks for responding. I hope a fix can be released soon due to the inherent lack of editing efficiency by not having match frame capability.

[Larry Asbell]

For me match frame is not working on Subclips.

PP CC 7.0.1 (105), OS 10.8.3

[Greg Janza]

Hey Peter

I noticed there’s an update to premiere pro but I see that Match frame is still not working with merged clips.

Any update on when this bug will be addressed?

[Peter Garaway]

Hey Greg,

There was a update released on July 10th which did address a Match Frame bug but not the Merged Clips bug that you are experiencing.

Unfortunately I cannot give you a time on the next update but this issue is on top of the list.

Peter Garaway
Adobe
Premiere Pro

[Peter Sabatino]

Hi Peter,

This is an old thread, but I”m hoping you are still seeing this. I’m going to try to reach out in other ways, but will try here first. There is a major flaw with Premiere when it comes to subclips, even in the latest 2014 version. You cannot match frame from a subclip to it’s parent master clip. This simple function is impeding my workflow. I am a professional editor and want to make the permanent transition to Premiere as I am unhappy with both Final Cut and Avid. I love many things about Premiere but this is a major hindrance. Is this something you are or can address?

Thank you.
-Peter

[Peter Garaway]

Hi Peter,

This is because under the hood there’s not really a master/slave relationship. Subclips are really just new master clips that have Subclip Boundaries set. If your using hard subclips, then switching to soft ones might be a solution–that loads the whole clip on disc into the Source Monitor rather than just the Subclip In/Out Range.

Hope this is helpful. If this does not meet your needs please file a feature request here:

https://www.adobe.com/cfusion/mmform/index.cfm?name=wishform&loc=en

Hope all is well,

Peter Garaway
Adobe
Premiere Pro

[Steve Brame]

[Peter Garaway] ” then switching to soft ones might be a solution–that loads the whole clip on disc into the Source Monitor rather than just the Subclip In/Out Range.”

Actually, it doesn’t. I have a timeline full of ‘soft’ subclips, and Match Frame merely loads the subclip itself into the Source Monitor.

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[Dan Cooper]

Hey Peter,

Hope all is well.

Is an update for this issues on Adobe’s agenda? This is a major setback in post workflow.

Cheers,
Dan

dan

[Peter Garaway]

Hi Dan,

This is not currently on the road map. If your goal is to match back to the master, a suggested workflow would be to make duplicate instances of the clip with different in and out ranges.

We’ve added other features that help this type of workflow. If you have a long clip, say 30min, you can load the clip into the Source Monitor and use our KEM roll feature like a selects reel. See this video that speaks to the KEM roll feature: https://tv.adobe.com/videos/virtual-kem-roll.

Another thought would be to put a sequence in the Source Monitor and use that as a selects reel.

I hope these ideas are helpful to you. If none of these meet what you need please make a feature request here:

https://www.adobe.com/cfusion/mmform/index.cfm?name=wishform&loc=en

Best,

Peter Garaway
Adobe
Premiere Pro