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Macbook Pro/HDV/workflow thoughts?
I am going to Europe for 2 weeks to cover a sporting event as a promo shooter/editor for a cable network. I have recommended the following scenario to my engineering dept. (I work for a large post house) – I travel with Sony HDVZ1 which we already own, we purchase a macbook pro with FCPStudio and a 500G drive which will be eagerly repurposed the minute I return I am sure. The producer and I will digitze via firewire from a deck that we also have, cut the spots there on the laptop in an HDV timeline, drop those finished 30s into a Standard Def timeline, render, and upload the finished product which will be downloaded and versioned here in the states for standard def broadcast. I have no NTSC/PAL issues as we are bringing everything we need (I think). Aside from cables, mics, etc, that is pretty much the plan.
The major issue is that I am getting some resistance from the engineers who say that the macbook pro and FCP 5.1 are both too new to be relying so heavily on a system that may have quirks that could sink our ship. I feel that any issues that come up will not be so major that I cannot figure them out or work around them. I also think that any issues we have we be related to getting the spots across the Atlantic, not cutting them in my hotel room. Does anyone have any feedback that could support this plan or show me they are correct for thinking this?
Also, does anyone have any recommendations for gear, software, or plug-ins that they would not take this trip without? Thanks, Luke