Creative Communities of the World Forums

The peer to peer support community for media production professionals.

Activity Forums Apple Final Cut Pro Legacy M100 to FCP Follow Up

  • M100 to FCP Follow Up

    Posted by Michael Bugera on May 16, 2005 at 5:42 am

    I had entered post on Friday regarding an FCP DV50 quality issue. I forgot to ask something else though.
    I know that when you edit DV25 footage captured through firewire it can start to fall apart when graphics and other renderable items are placed on top of it (technically that is. I know it can be hard to notice). Is this also true for footage shot and captured with DV50?
    I’m doing broadcast spots with this footage & want to make sure I maintain good quality as I’ve had with Media 100 for many years.
    Thanks, Bugsy

    Michael Bugera replied 21 years ago 3 Members · 5 Replies
  • 5 Replies
  • Sean Oneil

    May 16, 2005 at 7:41 am

    The same is true for DV50. You lose quality when the video is re-encoded for anything that isn’t cuts-only.

    There is a way to avoid this though. Once you’re done editing, you can render everything on an uncompressed sequence. This process does not re-encode the DV25 or DV50 codec. It reads the orignal pre-effects media directly and creates new uncompressed media. So if you master to BetaSP or Digibeta, this is the way to go.

  • Graeme Nattress

    May 16, 2005 at 11:06 am

    This will happen to some extent no matter what, because in the end, you’re mastering to a vide tape that has some kind of compression and the video will get compressed again even if you edit totally and utterly uncompressed.

    However, DVCpro50 is pretty nice compression and will provide a video quality that’s visually losless.

    Graeme

    http://www.nattress.com – Film Effects for FCP

  • Sean Oneil

    May 16, 2005 at 6:03 pm

    True, it is a good codec, but he’s mastering to BetaSP. So it’s best to render everything to Uncompressed beforehand.

    If you master to DV50 over firewire, then you do not want to render it as uncompressed. Use a DV50 timeline and that way only video with effects get re-compressed.

  • Graeme Nattress

    May 16, 2005 at 6:10 pm

    The picture quality difference though will be utterly negligible.

    Graeme

    http://www.nattress.com – Film Effects for FCP

  • Michael Bugera

    May 17, 2005 at 6:33 am

    Thanks for the help.
    I guess my only decision now is whether or not it’s safe to try FCP with this client or take it back to the trusty Media 100 and its codec. It’s a great codec but I want to go back to the old M100 7.0 interface (dual stream) as opposed to the multiple stream capability of FCP, and other things I’ve fallen in love with, like I want to kick myself in the stomach. (I don’t recommend trying this by the way!)
    One question: do I take the finished edit to the new uncompressed timeline and unrender all the titles & effects so they can be re-rendered as uncompressed? Or is there a different way?
    Thanks a lot! Bugsy

We use anonymous cookies to give you the best experience we can.
Our Privacy policy | GDPR Policy