Creative Communities of the World Forums

The peer to peer support community for media production professionals.

Activity › Forums › Apple Final Cut Pro Legacy › Live Green Screen key for reference in FCP

  • Live Green Screen key for reference in FCP

    Posted by Eric Grush on January 16, 2008 at 7:51 pm

    Hello everyone.

    I am editing a series of web spots shot with the Panasonic HPX 3000. The pieces will be shot on a green screen stage and the client has asked if I can run a signal into FCP and pull a rough keyed matte to match up to the background plates on the stage during the shoot so they can have a reference to the composited material. Is this possible? If so, how?

    Thanks for all of you help.

    Eric Grush

    Alan Lacey replied 18 years, 8 months ago 4 Members · 8 Replies
  • 8 Replies
  • Steve Eisen

    January 16, 2008 at 8:02 pm

    Yes you can. Veescope Key.

    https://www.dvdxdv.com/NewFolderLookSite/VeeScope/Products/VeescopeKey/VeescopeKeyOverview.htm

    Steve Eisen
    Eisen Video Productions
    Director-At-Large
    Chicago Final Cut Pro Users Group

  • Steve Eisen

    January 16, 2008 at 8:05 pm

    Meant use the link for Veescope Live.

    https://www.dvdxdv.com/NewFolderLookSite/VeeScope/Products/VeescopeLive.overview.htm

    Steve Eisen
    Eisen Video Productions
    Director-At-Large
    Chicago Final Cut Pro Users Group

  • Eric Grush

    January 16, 2008 at 8:31 pm

    That looks great. I think that’s what I need. I’ll just have check what outputs I can get from the camera. Thanks a lot.

    Eric Grush

  • Nate Stephens

    January 16, 2008 at 8:35 pm

    Yes, I have had Veescope for a couple weeks. Very cool. Runs on my new MacBook Pro like a champ.

    They have a working demo. And it can use your Laptop camera for testing.

  • Eric Grush

    January 16, 2008 at 11:35 pm

    Sounds good. I am using an older Powerbook, but can get my hands on a newer one if needed. What other inputs have you used? We are coming from an HD 4:2:2 source, but are hoping to be able to send a low res feed to the laptop to preview our composites while shooting. Any experience with this sort of thing?

    Thanks,

    Eric Grush

  • Nate Stephens

    January 17, 2008 at 1:15 am

    The 3000 is DVCpro HD 1080 and the HVX200 is DVCpro HD 1080. I recorded 2 hours 1080p (422) with out dropout using FCP “capture Now” via Firewire (4pin-6pin) to MacBook Pro to 2 FW mirrored raid attached bus powered 2.5″ drives.. That is way more than my expectations last month. Firewire from camera was 15 feet long. I ordered a 30 footer from Granite to see if it will work “as advertised”

    Does the 3000 have Fire wire output? The only hitch might be, I think the HVX200 is anamorphic, I do not know if the 3000 is also.

  • Eric Grush

    January 17, 2008 at 1:51 am

    Thanks for the tips. Will be discussing this info with the producers and the camera people.

    Thanks again,

    Eric Grush

  • Alan Lacey

    January 17, 2008 at 7:44 pm

    Any experiences of this with an IoHD?

    Alan

We use anonymous cookies to give you the best experience we can.
Our Privacy policy | GDPR Policy