Kona RGB 10-bit for VFX?

[Gary Adcock]

[Ramona Howard] “Thought I better clarify my VTR exchange comment before my friends at AJA crucify me 🙂 “

LOL ( BB does not read this forum)
and you do know you cannot online with Rave HD either don’t you…. : [

“Me. I just want that black box that I can turn to and that I know will work each and every day. “

So true, too many people now a days forget that for many people content is not ever acquired by the editor or editing platform and with Tapeless acquisition at the mainstay of production – professional tools like Rave HD are becoming more and more common on-set.

gary adcock
Studio37
HD & Film Consultation
Post and Production Workflows
Inside look at the IoHD

[Ramona Howard]

Gary,

“and you do know you cannot online with Rave HD either don’t you”

Surprise 🙂

Actually you can use RaveHD a couple of ways in regards to this. Since RaveHD is a Linux server you can mount directly to it and apps that use DPX frames natively, well it’s just like a freakin big drive to the host system. I have seen this used with Apples Color product this way (I’m sure many others I just remember this one because it was so easy to set it up). Other apps (editors) can absolutely work the same way. This is one of the benefits of RaveHD, it’s so open and plays well on the playground with others.

Native timeline editing in RaveHD. The time has finally arrived. Throw in the native database support we rolled in and online/offline editing/conforming/etc.is pretty sweet and different than any other applications approach (straight forward and non-proprietary, go figure). This of course addresses a much bigger workflow solution that I am not letting onto here but you will begin to see the light shortly.

Watch for those announcements 🙂

Cheers,
Ramona

[Martin B. wehding]

[gary adcock] “Since your sig says you are a post production manager you should know what to do with properly captured footage- or do you only understand working with FCP?”

wow, you got me there Mr. Gary