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Activity Forums Adobe After Effects Keying green screen AVCHD footage

  • Keying green screen AVCHD footage

    Posted by Brock Jolet on February 15, 2012 at 6:39 am

    Can anyone help me find a solution. I am keying green screen footage shot on an AF-100 and encoded as AVCHD.

    I have tried both “BCC Chroma Key” and “Keylight” but I am getting jagged edges around the subjects.

    3704_screenshot20120215at12.27.05am.png.zip

    It is my understanding that AVCHD encodes in 4:2:0 and this may be why I am having issues. Does anyone have advice on a solution?

    The best thing I could come up with is to us a “matte choker” to smooth the edges, then an edge blur to soften them. However, this means I lose small details like hair.

    On top of these issues, the footage was shot 1920×1080 and I need to enlarge the final product to 4096×2304 before rendering.

    I’m using Adobe After Effects CS5 on OSX Lion. I also have access to CS5.5 if there are any new features that may help.

    Brock Jolet replied 14 years ago 2 Members · 3 Replies
  • 3 Replies
  • Brock Jolet

    February 16, 2012 at 7:11 am

    For anyone else encountering this issue, it appears to be a problem with how After Effects interprets footage using interframe compression such as AVCHD. Pulling it into CS5.5 produced better results, but still not optimal.

    I converted a sample clip to ProRes 4444 and have received much better results. However, ProRes 4444 results in much higher file sizes, so now I’m pursuing an alternative codec.

  • Brandon Cranor

    May 15, 2012 at 10:13 pm

    So is the best thing to up convert footage to ProRes4444 do the edit and then down convert it back to something more manageable?

    -Brandon

    Mac OS X: 10.6.8
    Model Name: Mac Pro
    Model Identifier: MacPro1,1
    Processor Name: Dual-Core Intel Xeon
    Processor Speed: 2.66 GHz
    Number Of Processors: 2
    Total Number Of Cores: 4
    L2 Cache (per processor): 4 MB
    Memory: 8 GB
    Bus Speed: 1.33 GHz

  • Brock Jolet

    May 18, 2012 at 4:25 pm

    I converted to ProRes 4444, did the effects work, then delivered to the editor. I’m not sure if they continued to work with the 4444 or down converted, but I would imagine they kept the ProRes files.

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