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JVC.mov editing Versus ProRes422
I’m currently shooting a bit with a JVC GY-HM100U that I set to save files as .mov. The link below seems to indicate that those files are just fine going to the FCP timeline without transcoding.
https://pro.jvc.com/prof/attributes/tech_desc.jsp?model_id=MDL101845&feature_id=02
I’ve been reading posts and sites about those shooting with a Canon 5D MK-II, which also saves a .mov file (but likely another codec?) and in those readings I often see experts say the canon produced .mov files should be transcoded to ProRes422 before editing.
The question I have is: If the canon’s should be transcoded, should my JVC created .mov file also be transcoded?
Thanks in advance,
Jimmy