Creative Communities of the World Forums

The peer to peer support community for media production professionals.

  • Posted by Camren Banks on August 19, 2009 at 3:13 pm

    Imported several different formats into FCP, this here is a JPG created in illustrator, brought into photoshop, set up as 720 x 480 for NTSC. If you notice, the image is crisp and perfect in the viewer window, but in the play back window it is destroyed.

    Note: I understand that in the playback window the quality is reduced for playback purposes, it wasn’t until I viewed the exported QT video that I noticed it was still horrible.

    What step am I missing?

    Also: The two images look fairly close in quality… but before I resized the image for this post, you could see a drastic difference.

    Alicia Nichols replied 17 years ago 5 Members · 4 Replies
  • 4 Replies
  • John Fishback

    August 19, 2009 at 3:43 pm

    What codec are you using & what size is the jpeg?

    John

    MacPro 8-core 2.8GHz 8 GB RAM OS 10.5.5 QT7.5.5 Kona 3 Dual Cinema 23 ATI Radeon HD 3870, 24″ TV-Logic Monitor, ATTO ExpressSAS R380 RAID Adapter, PDE enclosure with 8-drive 6TB RAID 5
    FCS 2 (FCP 6.0.5, Comp 3.0.5, DVDSP 4.2.1, Color 1.0.3)

    Pro Tools HD w SYNC IO, Yamaha DM1000, Millennia Media HV-3C, Neumann U87, Schoeps Mk41 mics, Genelec Monitors, PrimaLT ISDN

  • David Roth weiss

    August 19, 2009 at 3:48 pm

    That’s the effect of DV compression. The viewer show you the uncompressed original, while the canvas reveals the file after compression. When you’re done editing, open Sequence Settings and change the compressor to DV50 or ProRes, which operate in 4:2:2 color space, and re-render the entire sequence. This will preserve all of your text and graphics from the ravages of DV compression, which operate in the 4:1:1 color space, which is fine for video, but lousy for text and graphics.

    David Roth Weiss
    Director/Editor
    David Weiss Productions, Inc.
    Los Angeles

    POST-PRODUCTION WITHOUT THE USUAL INSANITY ™

    A forum host of Creative COW’s Apple Final Cut Pro, Business & Marketing, Indie Film & Documentary, and Film History & Appreciations forums.

  • Chris Borjis

    August 19, 2009 at 4:23 pm

    and pure red is especially vulnerable to DV compression, but looks absolutely incredible in HD uncompressed.

  • Alicia Nichols

    August 19, 2009 at 4:59 pm

    Hi david,

    I am using final cut express – when i go to my sequence settings, i do not have DV50 or ProRes listed. Should i be looking elsewhere?

    Also, i know you said this affected graphics mostly – my issue is primarily with video – will this also solve the issue? Thank you.

We use anonymous cookies to give you the best experience we can.
Our Privacy policy | GDPR Policy