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Activity Forums Adobe After Effects Jittery “Brush Strokes” Effect

  • Jittery “Brush Strokes” Effect

    Posted by Elizabeth Wallace on January 20, 2011 at 11:17 pm

    Hi All,

    When I apply the “brush strokes” effect in After Effects CS5 (via effect>stylize>brush strokes), I get an effect that looks great when the video isn’t playing (and I can adjust brush stroke width, density, etc. just fine), but when I generate a RAM preview, the effect looks all jittery and every stroke is wiggling around in constant motion. How can I get a more subtle painted canvas look? Nothing looks pixelated, the effect is just in constant motion. Are there controls for the effect that I’m missing.

    Thanks for your help.
    ~Elizabeth

    Alex Harris replied 8 years ago 6 Members · 18 Replies
  • 18 Replies
  • Elizabeth Wallace

    January 21, 2011 at 4:39 pm

    Do you know of any other filters that I can use to make my footage look like a moving painting?

    ~Elizabeth

  • Tudor “ted” jelescu

    January 21, 2011 at 4:47 pm

    ToonIt
    https://www.redgiantsoftware.com/products/all/toonit/

    Tudor “Ted” Jelescu
    Senior VFX Artist

  • Michael Szalapski

    January 24, 2011 at 3:21 pm

    You could also try playing with the settings in the Cartoon effect.

    – The Great Szalam
    (The ‘Great’ stands for ‘Not So Great, in fact, Extremely Humble’)

    No trees were harmed in the creation of this message, but several thousand electrons were mildly inconvenienced.

  • Elizabeth Wallace

    January 24, 2011 at 4:30 pm

    Thanks! Great idea.

    ~Elizabeth

  • Elizabeth Wallace

    January 24, 2011 at 6:17 pm

    I’m loving the cartoon effect, but I have a question about it. I want my character in the shot to look like he’s stepping out a painting. I used the roto brush to isolate him from the background, and he’s got the cartoon effect on right now. But I want the cartoon effect on him to fade away until he becomes a “real person” again. Alot of the effects have the “blend with original” option which makes something like this easy, but the cartoon effect doesn’t seem to have that. Any suggestions?

    Thanks!
    ~Elizabeth

  • Michael Szalapski

    January 24, 2011 at 7:09 pm

    Duplicate your man layer and remove the cartoon effect from one. Then use whatever method you desire to bring in the non-cartoon version. You could use a precomp to drive a Gradient Wipe transition, you could animate the opacity, you could use a mask…endless possibilities.

    – The Great Szalam
    (The ‘Great’ stands for ‘Not So Great, in fact, Extremely Humble’)

    No trees were harmed in the creation of this message, but several thousand electrons were mildly inconvenienced.

  • Elizabeth Wallace

    January 25, 2011 at 5:10 pm

    Perfect! That’s going to work fantastically.

    Thanks,
    ~Elizabeth

  • Alex Harris

    August 25, 2016 at 8:48 pm

    I know this is an old thread, but it still pops up in top results on google, so just thought I’d post my fix for freezing the brush stroke effect in place for any future readers. You can put the Posterize Time effect below the Brush strokes one on a layer and set it to zero to freeze it. Or if you have video and don’t want it to freeze as well, put the brush and posterize effect on an adjustment layer above your footage, and precomp if you don’t want it affecting anything else.

    The Grey Cow

  • Albert Kowalski

    June 21, 2017 at 4:29 pm

    Hi!

    The Posterize Time effect work only with non-vector layers. I try to do this trick with vector graphics and the precomposed layer doesn’t move at, even when I change its position or scale. When I turn off continously rasterize mode, it works, but the vector quality is missing. Any other idea?

  • Alex Harris

    June 21, 2017 at 5:40 pm

    Hi Albert,

    If you are using a vector layer, just apply the brush stroke and posterize time effects directly to the vector layer. If you need to precomp it, it should be fine as long as the effects are not applied to an adjustment layer. When you turn on continuously rasterize on a precomp with an adjustment layer, it applies that adjustment layer to the current composition.

    The Grey Cow

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