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Activity Forums Adobe After Effects Ipod Headphones

  • Ipod Headphones

    Posted by Derek Hader on June 28, 2007 at 8:11 pm

    Hey,

    I’ve enjoyed Andrew’s tut on light streaks and simulating that Ipod commercial effect.

    However, I’m looking to recreate the silhouetted person holding their Ipod. In this case, the person is black, and the Ipod and headphones standout in a bright colour as the person dances.

    I have a green screen, and AE7. I’m just having a tuf time figuring out how to silhouette the person in black and the headphones seperate in a bright colour…

    What are your suggestions?

    Thanks everyone!

    -Skeets

    David Bogie replied 18 years, 10 months ago 3 Members · 5 Replies
  • 5 Replies
  • Steve Roberts

    June 28, 2007 at 8:24 pm

    The headphones were rotoscoped. Animated by hand. 🙂

    You should also dress the person in black (with a mask) to stack the deck in your favour.

  • Derek Hader

    June 28, 2007 at 8:40 pm

    Rotoscoping all that… That sounds like A LOT of work..

    I was imagining something like coating the iPod a bright colour like red or something. And essentially chroma key twice, once for the green screen, and once for the red.

    I havn’t been able to think it thru all the way.. but shouldn’t something like that be possible, and easier than rotoscoping hundreds or thousands of frames of headphone wires bouncing around?

  • Steve Roberts

    June 28, 2007 at 9:02 pm

    Those cords are pretty thin. Maybe if you replaced them with thicker, yet still flexible cord …

    I’d make ’em white, because red cords would never be entirely red — they’d be red-brown, grayish red … I’d try white.

    Anyway, try Googling or searching the COW on “ipod” and “headphones”. Much virtual ink has been spilled on this.

  • Derek Hader

    June 28, 2007 at 9:12 pm

    Thanks for your help… I will investigate.

  • David Bogie

    June 28, 2007 at 9:17 pm

    Haven’t tried this in many years but we had great success on a 16mm film shoot back in the olden days. We sprayed the elements we needed to pull for mattes with fluorescent clear paint. It was specially formulated to be invisible until blacklight hit it and then it popped. We used special glass ultraviolet light-pass filters over stadium spotlights, Super-Troupers.

    You might be able to use a a retro-reflective tape to replace the headphone cords and a ring-light on your lens to pull a really hard image.

    bogiesan

    This is my standard sigfile so do not take it personally: “For crying out loud, read the freakin’ manual.”

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