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Activity Forums Adobe Premiere Pro Interpret Footage Changes In & Out Points

  • Interpret Footage Changes In & Out Points

    Posted by Dan Turner on December 5, 2011 at 3:57 pm

    Hi,

    So we’ve been working on project all shot at 60P, to be interpreted to 25P.

    We make timelines of footage as banks to pull from, so in/out points are added in the source window, then dragged to layout sequences.

    The assistant editor forgot to interpret a load of footage before making these in/out points, so all footage has been logged and dropped onto these timelines at 60P.

    If I now batch interpret all the clips in the bin to 25P, it keeps the in/out points in terms of timecode, so the clips stretch, but the in/out points stay in the same place (time-wise).

    Is there a way to make them stick to frame rather than time? Otherwise he will need to screengrab and redo all points and timelines clip by clip…

    Thanks,

    D

    Gleb Rysanov replied 14 years, 5 months ago 2 Members · 3 Replies
  • 3 Replies
  • Gleb Rysanov

    December 6, 2011 at 9:31 am

    Hi Dan,

    Not sure if that may help, but I’d try to switch the timebase from time to frames in Sequence -> Sequence Settings -> General (in CS5 or ‘Settings’ in CS5.5) -> Editing mode. However, I believe this only affects a sequence and most likely doesn’t change the source monitor’s settings (hence the In/Out points made there). But I can’t tell that for sure, so it might be worth trying.

  • Dan Turner

    December 7, 2011 at 11:20 am

    Hmm no unfortunately that didn’t do anything.

    Pretty sure there isn’t a workaround, sorry for anyone in the same situation (unlikely).

    Thanks for your help.

  • Gleb Rysanov

    December 7, 2011 at 12:25 pm

    Sorry that didn’t help.
    Still, being in a frames-based timeline, you can quickly move between your cuts (Page Up/Page Down) and write down respective frames numbers (frames count remains the same no matter what fps a footage is interpreteted at) and then use those notes to recreate the same cuts in the correctly interpreted clips. Although not an automated solution (especially tedious with a lot of subclips), this still can be easier and quicker in some situations as compared to starting over the whole editing process.

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