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Interlacing/Aliasing Problem from FCP QT Export of HDCAM Footage
Posted by Pat Bray on May 11, 2011 at 11:00 amHi
My client has handed me a HDCAM (Pal) which has been digitised in fcp (which looks fine on the timeline) and a quicktime exported (uncompressed and animation codec versions) for me to use in AE. When I separate the fields (upper) I get bad aliasing, and when I leave it off it looks good static but once there’s any movement I obviously get interlacing issues. Any solutions? Is there something wrong with the export settings from fcp? Any suggestions would be great…
Jon Bagge replied 14 years, 12 months ago 3 Members · 4 Replies -
4 Replies
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Tudor “ted” jelescu
May 11, 2011 at 11:14 amOther than making sure that you have the right field dominance selected in Interpret Footage(if you’re not sure check both), the “Preserve Edges” checked, and that you’re looking at the footage at full resolution and not half, my only suggestion would be to ask the client for the clips exported progressive and not interlaced from FCP.
Tudor “Ted” Jelescu
Senior VFX Artist -
Pat Bray
May 11, 2011 at 11:33 amHi Ted
Thanks for the advice, I’ve checked everything you’ve suggested, apparently it looks like the clients have shot progressive and laid off interlaced so I don’t know if this has degraded things somewhat. I asked for a progressive export from FCP and it looks horrible so rendering out a version of my title and dropping it into the edit suit to view on a broadcast monitor, hopefully it might ok…
Cheers
Patrick -
Tudor “ted” jelescu
May 11, 2011 at 12:42 pmQuick thought- render a progressive and an interlaced version to have both when you go to the edit suite and check them.
Tudor “Ted” Jelescu
Senior VFX Artist -
Jon Bagge
May 11, 2011 at 3:29 pmTurning on Separate Fields in After Effects will cause aliasing in the composition viewer whether the footage is actually interlaced or not.
The viewer will always show the image on a whole frame. When you separate fields, the first field will be placed on the whole frame (this is what you see), and the second field will be placed 0.5 frames later in time. When you then turn on field render in the render queue it will render a frame every 0.5 frames sampling the footage at these times. If you have separated the fields correctly and field render the same way the footage will look correct.
If you field render progressive footage, it will use a duplicate of the full frame every field. The footage may look like it stutters compared to any key framed animation.
If you progressive render interlaced footage (that have been correctly separated) it will only ever use the first field for rendering, and you will get aliasing in the render too.
You can use frame blending or pixel motion to fix some of these issues, but if you’re going to render differently from your footage you should look into a plugin that properly deinterlaces/reinterlaces depending on what your final result should be.
As for your specific footage, if it was originally shot progressive and FCP has interpreted it as interlaced, that shouldn’t really change the footage itself. (unless you’ve rendered deinterlacing or reinterlacing in FCP which I’m sure there is a plugin that can do)
You should be able to interpret as progressive in AE. If you get horizontal banding in areas of fast movement when you interpret progressive in AE that’s a sign the original footage was in fact shot interlaced.This is all a bit complicated, apologies in advance if I haven’t made myself clear.
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http://www.jonbagge.net
Jon Bagge – Editor – London, UK
Avid – FCP – After Effects
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