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Intensity HD up-res vs FCP, others?
capturing archival from a non-controllable SD analogue source,
cutting SD in FCP (HDV captured as DV),
and our delivery format is HD.i figured i’d capture as HD, up-resing thru the intensity.
then half way thru, the capture settings were accidentally changed to SD (groan!).im after an opinion on the quality of the Intensity up-res vs other post options.
my simplest option is to just let FCP do the up-res in the timeline.
other options include media managing the edited sections, and using Instant HD,
or sending them to a post house to put thru a box.re-capturing is an option, of course.
thanks,
nick