MXF is a container format and Premiere Pro has supported it for some years. That doesn’t mean the content (the essence) is supported, it is possible that a new codec or an improved existing one can sometime confuse Premiere. However usually the new codec is supported before too long.
I’ve been using MXF and XAVC from Sony cameras for quite a while and I don’t really give it a second thought – it just works. The Media Browser imports the footage for you.
If you want to be hyper cautious then get some sample footage from the camera and edit it. I think it is worth doing this for any new camera. Particularly for footage shot in low light.
For newcomers to MXF, that standard calls for 8 audio tracks which can be a little overwhelming. I usually do smaller projects and you can easily delete the unwanted empty tracks.
What can be confusing is when adding a clip that has the 8 tracks to a timeline with other clips that have 8 tracks as it is easy to suddenly have 16 tracks -). So you need to understand Source Patching and Track Targeting. This is a good video that explains it:
https://www.youtube.com/watch?v=tWkW903Juwk
However there are sever other videos that cover the same thing.
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