More information…..
The material was captured on an unknown final cut pro system. The master format is HD-Cam 1080i50, but the material has been captured as DVC-PAL (720×576 anamorphic 16:9).
The drive is a 500gig, formatted in Mac OS Extended (Journaled).
Here are the specs of two example files:
Clip 1 – in finder
9.1GB
49.36 minutes
Total bit rate 24,747
Clip 1 in FCP
8.5GB
40.04 minutes
DV-PAL
It is worth noting that when I check this file in Quicktime the shot material ends and the video displays black around the 40 minute mark indicating that FCP seems to ignore the Quicktime clip once it goes to black. This is even the case when I try nd re-import.
Clip 2 in finder
9.33GB
49.08 minutes
Total bit rate 25,572
Clip 2 in FCP
8.7GB
11.40 minutes
DV-PAL
When I checked this file in Quicktime I notice a short burst of black, looking like the camera operator may have broken time code. less than a second later the video returns, but not in FCP.
Looking into this it seems like FCP has a problem with a possible timecode break. SO two questions:
1. How can I force FCP to import the entire quicktime file and ignore any disturbance of the timecode or possible sync breaks?
2. Once I have done this how likely is an error when they conform with the original HD-CAM rushes?