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I think the time of the large tower are coming to an end – and the bloated software suits with it :-)
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you’re actually the brains here walter – I’ve been making assumptions that the methodology for sharing and conflict resolution in anywhere would likely feed into a vastly more sophisticated project sharing architecture in premiere – big iron or no?
the biggest problem (i think) or at least, a biggie, is single project per go, with pretty dreadful media handling in terms of re-linking and stuff – its basically AE level, and thats probably not really a goer in the mid term.
I’ve been making assumptions that the production media sharing software project being executed by adobe there in anywhere would feed into a much stronger basis for project and media handling in premiere itself, big iron anywhere or no – in a twelve to eighteen month timeline?
it seems inconceivable that they would pull off something that sophisticated, but leave the default premiere project management and asset sharing where it is?
https://vimeo.com/user1590967/videos http://www.ogallchoir.net promo producer/editor.grading/motion graphics
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Sorry I don’t drop in here as much as I’d like. The to and fro is endlessly amusing and even sometimes informative.
Just a few corrections about Premiere Pro because many here seem to have taken your comments to be true when in fact they’re sometimes completely or partially wrong.
[Shane Ross] “The fact that FCP can output 23.98 as 59.94 via any hardware option (AJA, Decklink, Matrox)…the PLAYBACK option sets up the signal feed you are sending the card. Avid rigidly sets it to the”
Premiere does this with all hardware options that I’m aware of.
[Shane Ross] “Copy and paste clip properties.”
If you mean groups of audio video effects, it does this.
[Shane Ross] “The ability to deactivate clips…keep them on the timeline but make them invisible. Or silent.”
Most certainly does this.
[Shane Ross] “Output a split track digital master (Avid can do this…Adobe? NOPE!!)”
I think 6.0 does this. with up to 8 tracks.
[Shane Ross] “Log and Transfer… You can mark IN and OUT points on the footage you want…you don’t need to ingest the full clip. Avid have this? No…well, yes, if you go through like 15 steps and transcode. Adobe…yes, if you use Prelude”
You can do this straight within Premiere, too.
[Shane Ross] “The sheer about of plugins and effects I have. In Avid, I’m severely lacking. Adobe is getting better, thank GOD FX Factory works there too. Still, pickin’s are slim.”
Slim? Hardly. Most AE plugins work in PPro.
[Shane Ross] “Can capture and output to tape via a hardware card. DIRECTLY into the NLE. FCX…NO! Adobe…not really.”
Yes, really. Using Matrox, Windows. I can’t say for sure about Mac.
[Shane Ross] “Ability to modify timecode of clips, and it change it on the QT file”
Can do, though I’ve never tried it in a QT file because QT is excrement in Windows.
David
David
AllinOneFilms.com
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