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I know we’ve all evolved but…
If there’s any doubt that FCP X can work very well in a “high end” post workflow, vfx/mixing etc. I present this.
The whole offline from shoot to edit approval was done in X. Temp effects and audio mix. Then it was handed on to Final Grade, Vfx and Mix at specialist houses. None of them knew it was cut on FCP X which, I guess, is the point. It works just like anything else. 🙂 Wish I had cut it, but, as seems to be common with cool FCP X stuff, it was cut across the pond.
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~ My FCPX Babbling blog ~
~”It is a poor craftsman who blames his tools.”~
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4 Replies
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Wait. Couldn’t Premiere do a better job?
😉
Scott Witthaus
Senior Editor/Post Production Supervisor
1708 Inc./Editorial
Professor, VCU Brandcenter -
[Scott Witthaus] “Wait. Couldn’t Premiere do a better job?
;-)”
Of course. Pr or MC or R12 would have worked way better. They have tracks and mixers. 🙂 It’s a pretty cool spot, even if it was cut in iMovie which, in theory, it could have been. lol
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~ My FCPX Babbling blog ~
~”It is a poor craftsman who blames his tools.”~
~”The function you just attempted is not yet implemented”~ -
I don’t know whether Premiere Pro could have done it. That’s an awful lot of cuts…
Joe Bourke
Owner/Creative Director
Bourke Media
http://www.bourkemedia.com -
[Joseph W. Bourke] “I don’t know whether Premiere Pro could have done it. That’s an awful lot of cuts…”
It looks exactly 12 and a half cuts more than Premiere can handle. So close!
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