How do you track skin tones from frame to frame in Da Vinci Resolve?

[Ryan Elder]

Okay thanks. Perhaps I don’t need to skin tone tracking as it does take time, money and assistants, like you say, but is there anyway I can separate the back ground, from the foreground, color wise? I was told before that the backgrounds in my work can be distracting, especially when shooting in public places, where I don’t have much control.

For example, one time, there was a bright green car in the background, and some test viewers said they found it distracting from the story. Anything I can do in the coloring to separate those things from the foreground, and from the actors, color wise?

[Duke Sweden]

I’m pretty sure this guy is just yanking us.

Dell XPS 8920
Intel i7 core 7700 build
GeForce GTX 1050ti
32 Gigs of RAM
3 7200 RPM SATA Drives
Windows 10 64-bit
DaVinci Resolve 14.3