This is nothing to do with FCP but a specification for calibrating digital levels in a monitoring environment. All mix theatres that do cinema work calibrate their monitoring levels with pink noise to 82db level with a portable noise level monitor (basically a meter with a built in mic). Mixing is then done with those monitoring levels so that there is a uniform volume in the cinema. It is a nice idea but flawed by those that want to make their cinema trailers louder than others etc.
What you need to do is take your sound track to a mix theatre that knows what cinema levels are for mixing. Strictly speaking they need seperate pre mix stems of your music, dialog and fx which they put back together and set dynamic compression and mastering levels for cinema.
Otherwise you are guessing levels.