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Activity Forums Apple Final Cut Pro Legacy HDV export out of sync

  • HDV export out of sync

    Posted by Pradip Patil on December 27, 2009 at 7:35 am

    Hi
    I am editing an HDV sequence.
    When I export a mov file with DV PAL ANAMORPHIC settings it works fine.
    Yesterday I exported the sequence in HDV 1080i50 (The format of the clips), the movie looked a bit jerky and out of sync.

    Can anyone explain the reason behind it please?

    I am working on iMAC
    3.06 Ghz and 3 GB RAM

    David Roth weiss replied 16 years, 4 months ago 3 Members · 3 Replies
  • 3 Replies
  • Jerry Hofmann

    December 27, 2009 at 12:38 pm

    If you transcode that HDV to ProRes during capture, then edit it as ProRes, or render it to ProRes once it’s captured (you do this by setting the HDV sequence to be rendered to ProRes – setting for this is found in that sequence’s settings). You’ll find the exports work much better.

    Jerry

    Apple Certified Trainer, Producer, Writer, Director Editor, Gun for Hire and other things.

    8-Core 3.0 Intel Mac Pro, Dual 2 gig G5, AJA Kona SD, AJA Kona 2, Huge Systems Array UL3D, AJA Io HD, 17″ MBP, Matrox MXO2 with MAX Cinema Displays

  • Pradip Patil

    December 27, 2009 at 7:24 pm

    Hi but will the ProRes encoded file play on other MAC’s without FCP?
    And what if I have to give the file as HDV only?
    What should I do to fix the problem?

  • David Roth weiss

    December 27, 2009 at 9:06 pm

    [Pradip Patil] “Hi but will the ProRes encoded file play on other MAC’s without FCP? “

    The latest versions of Quicktime playback ProRes without FCP installed.

    [Pradip Patil] “And what if I have to give the file as HDV only?”

    Why would have you to do that Pradip? There are actually very, very few, if any, good reasons imaginable for delivering back to anyone as HDV.

    Among professionals, HDV is widely accepted as a shooting codec, but not as an editing or delivery codec. Keep in mind, you lose a generation and hammer your graphics and text with an extra compression step when outputting HDV to back to tape.

    David Roth Weiss
    Director/Editor/Colorist
    David Weiss Productions, Inc.
    Los Angeles

    POST-PRODUCTION WITHOUT THE USUAL INSANITY ™

    A forum host of Creative COW’s Apple Final Cut Pro, Business & Marketing, Indie Film & Documentary, and Film History & Appreciations forums.

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