It sounds like you haven’t done much editing with FCP, period. No offense, but you are seeming to not even have a basic understanding of how FCP works…if you had worked with FCP, but in SD, you might know better. BUT, this is the basics forum, so here we go…
[Philippe Montagne] “- How do I set up my sequence? “
You choose the EASY SETUP that matches the footage you shot. That sets up everything, capture, timeline, everything. If the footage is tapeless, you can also import it (however it is imported, there are many ways), and when you drop a clip onto the timeline, FCP will ask if you want the settings to match (FCP 6-7). Click YES.
Done.
[Philippe Montagne] “The video was filmed on PAL (Sony HD camera).”
What model? What format of HD? Not to scare you, but there are a good dozen different formats of HD. HDV, DVCPRO HD, AVCHD, AVCIntra, H.264, ProRes, HDCAM, HDCAM SR, D5, Flipcam, XDCAM, XDCAM EX…and so on…
[Philippe Montagne] “Same for the Pixel Aspect ratio. What’s the set up?”
Handled by choose the EASY SETUP.
[Philippe Montagne] “Should I modify the Quick Time Video Settings (right now set up to DV – PAL “
Why? WHo does this? I don’t.
[Philippe Montagne] “- For the sound, I will have to use only one track for the ambient sound since I need to put music on the 2nd track. What’s the best set up to capture the sound? “
You are talking about two completely different things here. How to CAPTURE your sound, and how to USE IT on a timeline. You aren’t limited to two tracks, you know? You did know that? YOu can have 99 if you wanted. I typically have 8 to 16. Narration on 1-2, Interviews on 3-4, B-Roll audio on 5-6, FCP on 7-8, Music on 9-12. And you just patch the audio to the track you want it to go. That is done on the left had side of the timeline. And if you need further explaination, the manual is full of description…
Shane

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