The absolute best keys come from 10-bit footage. 8-bit footage has 256 levels in each RGB channel, 10-bit footage has 1024 levels of gradation in each RGB channel.
I pulled some 10-bit Apple ProRes 422 HQ footage into Keylight in AE CS3 and it literally nailed EVERYTHING with 1 click. Perfect matte, down to strands of hair blowing in a fan!
Of course, this involved a Canon XL-H1 with HD-SDI out going into an AJA Io HD box, converting from 1080i to 720p on the fly. So yes, it’s a lot of gear and expense. But I would expect similar results from an HV30 kicking it’s HDMI output into the Io HD.
So that’s around $3k for the box and little cam, not counting a computer.
Here’s a low quality YouTube of the Original footage:
https://www.youtube.com/watch?v=2INyaqf_0Mo
Here’s ONE CLICK in Keylight later (plus after following a “Sin City” effect tutorial). Remember he’s keyed OVER a black background. Those aren’t the original pixels!
https://www.youtube.com/v/DxznVvgNawQ&hl=en&fs=1&hd=1&
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