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GoPro Protune Raw Hero 3 Workflow
Hi all,
I’ve been testing out the Hero 3 and I am stoked that GoPro added on more features for filmmakers.
I’ll lay out my workflow below, but I am sure there is a better path.Shoot in 2.7k, 24p, Protune, Raw White Balance, → Convert in GoPro Cineform → Adjust WB and exposure in Cineform → Export .mov from Cineform → Import .mov into Premiere
I’ve heard that some people color correct the raw GoPro footage in AE in a 32bit floating point comp. What’s your workflow for protune raw GoPro Footage? Any insight will be much appreciated!
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6 Replies
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[Michael Tapp] “I’ve heard that some people color correct the raw GoPro footage in AE in a 32bit floating point comp. “
That’s pretty silly/overkill when your shot footage is 8-bit.
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We shoot the same thing sometimes on the same camera, but!
We bring the footage straight into APP and CC there.
Saves a step of compression.Chris
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Chris,
Are you able to directly import the mp4 2.7k Protune footage into Premiere and edit without choppy playback? I would like to avoid compressing with CineForm Studio altogether, but I haven’t been able to get smooth playback in APP CS6. I’ve read reports of many others having this issue as well. Something about that Protune codec apparently.
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I too prefer NOT to add a compression step by stopping by CineForm.
But, NO, I do not get smooth play back in APP, I have to render first.Chris
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Regardless of smooth playback.
I am still unable to import 120fps footage directly into Adobe Premiere without the footage playing back at 60fps. Every clip I import is in slow motion from the onset.
Is there a way to have it play back in real time without adjusting the speed duration of every clip I import?
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Try using the interpret footage feature and tell PP it’s 120fps. works like a charm.
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