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Glass: The Great and Not SO Great Equalizer?
Toke wrote on another thread and alluded to something that I’ve been wondering about for some time amidst all the heated discussions of resolution specs for the various “HD” of one sort or another formats and camcorders:
[toke lahti] “With pal version you can record more horisontal resolution (1440 vs. 1280) in 1080 mode, but right now that seems a bit irrelevant when first reports show that camera’s true horisontal resolving power is only a bit over 600 lines.”
Of course, not all of the info is in at this point in time, but does anyone have any expertise that can shed light on the real world resolution specs of the glass on the various camcorders that we might be using. Sony folks try to make much of the superior bit numbers of 1080i either in HD or HDV, particularly when compared to DVCProHD on for instance a Varicam where the horizontal resolving bits are 960.
As a base to start the discussion, what are the real world resolving powers of the typical 2/3″ HD eng/efp zoom lenses available today? In SD times, these specs used to be listed by the lens manufacturers because they were typically far more lines of resolution than the SD formats could handle. Now those specs aren’t listed and a lens is characterized as an SD or HD lens.
Ignoring Prime lenses, are these top of the line $20-30k Zoom lenses really capable of resolving much more than 1000 lines? And what are the real world resolution capabilities of the built in or cheap interchangable lenses of far less expensive camcorders like the HVX, Z1, HD100, H1 and so forth?
Finally, what’s the real world interplay between the lens’s resolving power and the format’s bit size?
Ron Shook