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Activity Forums Apple Final Cut Pro Gh4 workflow

  • Gh4 workflow

    Posted by Zimema Mhone on October 22, 2015 at 8:47 pm

    Hi,

    I have just collected a bunch of footage documenting the Finnish summer and I would like to get some advice as to how to start ‘processing’ the footage.

    The goal is to create a travel montage, which includes a lot of speed ramping, positioning and stabilization. The focus of the piece will be the interaction between the images, effects and sound. They are all equal in importance.

    I intend on pursuing a workflow as such: select and stabilize clips/ sequences/ events in After Effects, then pre-comp and apply Twixtor as needed, pan & scan/ resize/ crop to 1080p or not, export as prores 444, import to FCPx, put it all together as a fluent series of events and rework effects as needed.

    Can somoene let me know if I am heading for woes or if I am on the right track. What else should I consider?

    Eric Santiago replied 10 years, 10 months ago 4 Members · 6 Replies
  • 6 Replies
  • Noah Kadner

    October 22, 2015 at 10:11 pm

    Why bring AFX into the mix? FCPX can do those tasks and save you generation loss and time.

    Noah

    FCPWORKS – FCPX Workflow
    FCP eXchange – FCPX Workshops

  • Bret Williams

    October 23, 2015 at 12:22 am

    I was thinking the same thing. More flexible and in real time for the most part.

  • Zimema Mhone

    October 23, 2015 at 2:26 pm

    Thanks Noah.

    I intend of using curves quite a bit for movement. But I think your are right, the generation loss is not really worth the little bit of extra ‘flair’ I could apply in AFX. Keep it simple and the audience will thank you for it, I guess…

  • Eric Santiago

    October 23, 2015 at 3:56 pm

    Choose key clips for AE later or prior.

    I do it all the time with my GH4 and RED Scarlet.

    Now thats usually post stuff.

    I have never liked any of the Optical Flow options in any NLE.

    Love AE Timewap 😉

  • Bret Williams

    October 23, 2015 at 6:16 pm

    [Eric Santiago] “I have never liked any of the Optical Flow options in any NLE.”

    Why not? The one in X is the same as Motion and Premiere is the same as AE. They seem pretty flawless for the most part.

  • Eric Santiago

    October 27, 2015 at 12:56 pm

    My beef is specific.

    Using GoPro footage shot at 29.97 leaves anomalies everywhere specially snow footy.

    Works great with my Scarlet at HFR but thats just cheating.

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