Getting that film look

[Tyler Leisher]

Another example is this:

My Film: https://a648.ac-images.myspacecdn.com/images01/82/l_b75634611e472b6622193196606b0cdf.jpg

Compared to Knocked Up: https://a105.ac-images.myspacecdn.com/images01/23/l_99173f73939b470c4d0cc4d7bf534f98.jpg

The colors just look so much more vibrant, while the skin tones and whatnot arent blown out…

[Tom Wolsky]

What camera shot this? Turn on flesh detail if you have, boost the chroma a bit, and light it better. Two out of four shots look too hot.

All the best,

Tom

Class on Demand DVDs “Complete Training for FCP6,” “Basic Training for FCS2” and “Final Cut Express Made Easy”
Author: “Final Cut Pro 5 Editing Essentials” and “Final Cut Express 4 Editing Workshop”

[David Roth weiss]

Tyler,

If you analyze your material on a waveform monitor (as I just did) you would notice that your blacks are way above “0”. If you apply the 3way color corrector filter and pull down the blacks to where they belong it will considerably raise the contrast and make your chroma pop, and achieve most of the very things that Tom mentioned.

For the record, many cameras are setup to record with the blacks set the same way as your camera, which, in theory allows for the greatest latitude for color correction in post. In other words, setting your camera up to create images that look perfect will yield better looking video intially, but that’s actually limiting.

BTW, there’s a great tutorial on Ken Stone’s website on the use of the 3way CC.

Hope this helps…

David

David Roth Weiss
Director/Editor
David Weiss Productions, Inc.
Los Angeles

POST-PRODUCTION WITHOUT THE USUAL INSANITY ™

A forum host of Creative COW’s Apple Final Cut Pro, Business & Marketing, and Indie Film & Documentary forums.

[Tyler Leisher]

David,

Thanks, that really helps! One thing though, the Waveform monitor that you used, was that in FCP or something else?

Also, I can’t seem to find the 3 way CC tutorial on his website, mind helping me out with a link?

[David Roth weiss]

I used the internal FCP waveform with one of your stills.

https://www.kenstone.net/fcp_homepage/cc_legal_fcp4.html

David Roth Weiss
Director/Editor
David Weiss Productions, Inc.
Los Angeles

POST-PRODUCTION WITHOUT THE USUAL INSANITY ™

A forum host of Creative COW’s Apple Final Cut Pro, Business & Marketing, and Indie Film & Documentary forums.

[Tyler Leisher]

You wouldn’t happen to know how to do it in After Effects would you, I cant seem to figure out how to pull down my blacks and AE is where I do most of my Color Correcting.

I’m editing on Premiere Pro/Vegas Pro at the moment, but switching to FCP as soon as I can afford it.

[David Roth weiss]

[Tyler Leisher] “You wouldn’t happen to know how to do it in After Effects would you,”

Nope, sorry. The AE forum would be a good place to start.

[Tyler Leisher] “I’m editing on Premiere Pro/Vegas Pro at the moment, but switching to FCP as soon as I can afford it.”

Do it on credit if you have to Tyler, cuz the faster you get completely FCP savy the faster you’ll get the work you need to pay off the investment.

David Roth Weiss
Director/Editor
David Weiss Productions, Inc.
Los Angeles

POST-PRODUCTION WITHOUT THE USUAL INSANITY ™

A forum host of Creative COW’s Apple Final Cut Pro, Business & Marketing, and Indie Film & Documentary forums.