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Getting colour right from the start in AfterEffects for Rec 709 in After Effects
Hi –
I know there is a lot of info on the forums on colour already but I am having some issues gleaning the right info from them. I would appreciate some help at the start of this large project.
I am working on a recently calibrated monitor
I don’t mind what setting or workflow I use as long as I am generally able to work in after effects and be fairly confident that why I am setting on the stage is what will be outputted – and will be safe for broadcast Rec 709 – (16-235).
These are my settings…
File > project settings > Colour settings > Working space = HD TV Rec 709 (16-235)
File > project settings > Colour settings > Depth = 16
View > Use display Colour Management
View > Simulate Output > HDTV (Rec 709)
I am rendering out as QuickTime animation as requested by my client.
I am editing the output animation in Premiere (I am not using dynamic link as it is not fast enough)
I think the colours look great. However their feedback is:
• my colours are dull, dark
• and that the luminance is lowAnd sure enough if I check the colour scopes in Premiere the luminance is quite low.
So i guess my questions are:
• What setup should I use in After Effects to give me the best chance of seeing and outputting correct colours?
• Are there any particular ender stetting I should be aware of?
• What setup should I use in Premier to see the same?
• can I set the scopes in Premiere to show 16 – 235 instead of 0 – 255?
• What file format should I save my images in from Photoshop for importing into After Effects to ensure maximum colour compatibility.
• If I need to clip a few colours in Premiere to make them legal – what is the best way of doing that?I know this is a lotto ask -I am not looking for 100% colour accuracy – just good healthy ballpark previews.
Thanks so much for any imput…