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Getting a good hold-out with Keylight?
I am trying to achieve something in AE with keylight that I’ve done numerous times in Shake and Fusion with Primatte, but am getting a little stumped. When working with Primatte in these other applications, the Primatte node has a hold-out matte input. I have used this successfully to pull very clean keys when I want to preserve edge detail, by pulling one key that has very fine edges and then pulling a second key that has a much harder edge, but with all the white areas filled in so they are 100% opaque. I then take the second key and choke in on the edges to allow the nice clean edges from my first key to show through. I then plug this second key into the Primatte node’s hold-out matte input. I am trying to do the same with keylight in after effects, but haven’t had any success. Anyone have an idea how to replicate this process in AE? This is really for my own personal gratification, because I hate when people tell me that AE is a crappy compositor and I like trying to recreate things I’ve done in node compositors to show them that it can be done in AE. Any help is appreciated. Thanks!