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Activity Forums Apple Final Cut Pro Legacy general codec editing question

  • general codec editing question

    Posted by Jason Brown on September 18, 2009 at 3:40 am

    So as I’ve been working with Final Cut for a couple months now…I’m trying to understand how Final Cut works best with codecs.

    You can change your sequence settings to work with any codec natively…but it seems that the best are DVCPRO-HD and ProRes. (I’ve only worked personally with ProRes, but I’ve seen a lot of people use DVCPRO-HD)

    Should my workflow be to push (transcode) my footage to a common format like these, or to edit natively in their codec – h264, XDCAM-EX, etc.

    How do you make the decision of what codec to use?

    Does it matter if I mix ProRes formats?

    Thanks in advance for help in clearing this up for me.

    -Jason

    Rafael Amador replied 16 years, 8 months ago 3 Members · 4 Replies
  • 4 Replies
  • Kai Cheong

    September 18, 2009 at 3:48 am

    Hi Jason,

    I don’t think there’s ‘one best codec’ though I’m liking ProRes very much, too. I transcode, via Firewire, HDV to ProRes and it makes for good visuals and smooth editing.

    As much as possible, I’ll work with the native format. But when it comes to formats like H.264, which are not designed for editing [more like a delivery format], I’ll transcode it first. If it’s a SD project, likely to be DVCPro50 [better color space for graphics than basic DV]. If HD, ProRes.

    Kai
    FCP Editor / Producer with Intuitive Films
    https://kai-fcp-editor.blogspot.com

    Now ‘LIVE’! Check Out The Intuitive Films Blog @ https://intuitive-films.blogspot.com
    At Intuitive Films, We Create: TV Commercials, Documentaries, Corporate Videos and Feature Films
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  • Rafael Amador

    September 18, 2009 at 5:36 am

    I agree with Kai.
    No much need to transcode except in certain situations.
    I edit XDCAM native and export to Proress.
    DVCProHD is another acquisition format.
    Capture or edit with him only if this gonna be your delivery format. If not: Proress.
    So more or less the thing is to render to a better codec than your acquisition one.
    This whatever will be your delivery format. Make a good Proress master and from this you can make MPEG-2 for DVDs, web videos, print to tape or whatever you want.
    Best,
    Rafael

    http://www.nagavideo.com

  • Jason Brown

    September 18, 2009 at 1:36 pm

    I’m currently shooting HDV on a Canon XL-H1 and I read (and am experiencing problems with) something about the HDV capture to ProRes not carrying correct TimeCode over with it?

    I’ve been experiencing a bunch of problems with the HDV – FinalCut workflow. I’m sure most of it is user error, I’m just very new to Final Cut…I have a long background in AVID…

    -Jason

  • Rafael Amador

    September 18, 2009 at 3:59 pm

    Hi Jason,
    I haven’t work with HDV, but there is tutorial in the cow (of Chris Poisson) about the HDV>Proress workflow.
    rafael

    http://www.nagavideo.com

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