-
FS100 Transcoding: using 5DtoRGB preserves higher dynamic range?
I’ve been taking in a mix of Canon DSLR and FS100 footage recently for a feature doc.
The program 5DtoRGB by Rarevision has been amazing for transcoding my Canon 5D and 60D footage. For my Fs100 footage I’ve been planning on using FCP7’s L&T.
Yesterday, out of curiosity, I brought an FS100 .mts file into 5DtoRGB and made a ProRes 422 (the same as what FCP7 will create). The results were a 11x slower transcoding, but a surprisingly higher dynamic range. I was actually pretty startled to see the difference, which I noticed mostly in the highlights.
Does FCP7 sacrifice these details in the highlights for speed of transcoding (maybe a dumb question)? As far as gamma goes I thought this was usually the case – people are more discerning to details in shadows and so these are given priority during compression.
I’m now pondering if this is a worthwhile time investment. I’m also wondering why I haven’t been able to find much online about transcoding options for the FS100. Are there other ways that would more economical?
Alex
Here is a link to a side by side zoom: https://img820.imageshack.us/img820/2627/fs100sidexside.png
Here are links to the original frames (sample above is taken of the knot in the tree and car wheel) –
5DtoRGB: https://img140.imageshack.us/img140/2035/5dtorgb422.png
FCP7 L&T: https://img221.imageshack.us/img221/2826/fcp7logtrsfr422.png