Final Cut Pro X Music Tutorial

[Gerry Fraiberg]

Thanks to fcp.co for posting this on their Facebook page.

While there may never be a way to truly measure what makes an NLE “the best”, when it comes to choice, diversity is one of the most important things an editor should evaluate.
This video takes a look into the audio advantages of Final Cut Pro X and how powerful composing, editing, mixing, and stereo-to-surround controls make FCPX one of the most powerful audio-centric NLEs available.

https://vimeo.com/107825910

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[Craig Seeman]

I’d love for him to do an in depth version. It practically looks “track like” 😉

[Eric Santiago]

Off topic, I met Michael at SuperMeeet 2011 where FCPX was unveiled.
Its nice to see that he still (to this day) believes in FCPX and its capabilities.

[Ronny Courtens]

Michel Cioni has been involved in quite some high-end productions: https://www.imdb.com/name/nm1721406/

And yes he has always been, and still is, a firm advocate of FCP X. Seeing how far Final Cut Pro has come I think it is quite difficult not to believe how powerful this NLE really is these days.

– Ronny

[Eric Santiago]

So true.

People forget the power is in their hands and not the software itself.

Users are finding ways to create with FCPX, not bad for $300 USD.

[Jeremy Garchow]

What I find interesting is that the trackless method, has been said, to not follow any sort of musical composition, and here’s a case where someone is literally composing right in the NLE.

Pretty cool!

Jeremy

[Redefined Media]

FCPX is awesome. Really good for both editing and mixing. Love it 🙂

Redefined Media

Video Production Sydney