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Activity Forums Apple Final Cut Pro Legacy File name display on video?

  • Andreas Kiel

    May 26, 2012 at 12:29 pm

    Yes,

    It’s fun to see some old posts pop up time by time.

    Dayson,

    What you can do is use an XML.
    Export the sequence as XML.
    Re-import the XML and leave the “Reconnect Media” unchecked.
    Now all your clips in the new sequence are offline — without touching the original sequence.
    Copy/Paste those clips to the original sequence on a new track.
    Make this clips nested.
    Apply a mask to cut out everything which is not the clip name.
    Move the nested clip to a position where it should appear in the final video.
    Render.

    As said 2 years ago you also can use my TCR Plus, it gives you some more options — but it’s not free for the extended version.
    https://www.spherico.com/filmtools/tcrPlus/index.html

    Regards
    Andreas

    Spherico
    https://www.spherico.com/filmtools

  • Deyson Ortiz

    May 26, 2012 at 12:29 pm

    Thank you 🙂

    – Deyson Ortiz – Editor / Motion Graphics
    _______________________________________

    – View my work at: https://deysonortiz.com

    – Download Free Motion Master Templates at: https://motion-master-templates.com/

    – Watch my Apple Motion Podcasts at: https://my.creativecow.net/Deyson-Ortiz/podcasts

  • Robert Lipop

    June 5, 2012 at 8:24 pm

    This topic appears in the FCP section, but i am trying to accomplish this in Compressor.

    In compressor there are filters that can be applied to the export settings. I want to add timecode, but i also want to add a custom name to the burned in data. and like the above poster i want this to be automated. I am a shooter, not an editor. I want to provide low rez burned in footage to the director and full rez files to the editor. and i want them to be able to talk intelligently about them.

    I think there is some kind of code that i can insert into the “Text Generator” field of compressor that will make a REFERENCE and pull that metadata field and insert it into the burn in.

    for example: (i found this on a windows based burn in tool)

    “The Custom text control allows you to provide a short piece of arbitrary text (up to 255 characters in length) to be burned-in with the metadata. This might be a comment, or an identifier that you use in your video project. You can also use one of the following special formatting codes which expand to the name or pathname of the input file:
    Custom Text formatting code Description
    @P – The full pathname of the file – e.g. C:examplepathnamemyfile.avi
    @F – The file name (including file extension) – e.g. myfile.avi
    @f – The file name stem (the part of the file name that preceeds the extension) – e.g. myfile
    @e – The file name extension – e.g. avi
    @@ – The ‘@’ character

    I do not ever want to get to FCP, i want to stay in Compressor. Some kind of metadata reference syntax…… Any ideas?

  • Paul Levin

    November 4, 2012 at 6:33 pm

    I’m trying to do this as a transcode as well. I’m working on a film, so doing this manually on each of my 1400+ clips isn’t a great option.

    TCRplus is an option, but it would mean a hefty render every time I output. It works, but not ideal.

    What I’d like to do is create proxy clips with filename and TC burn-ins, use those to offline edit. The only program I can find that will do this is MB Grinder, which would be perfect except it won’t keep my timecode. (shot on XD-CAM, no thm files)

    any thoughts?

  • Paul Levin

    November 25, 2012 at 10:00 pm

    found a solution, for any who need it. DaVinci Resolve Lite (free program, whoohoo!) will do it.

  • Cory Langley

    December 27, 2013 at 9:56 am

    is there a video tutorial on using Devinci Resolve Lite to display file name on the video clip in FCPX – similar to what ‘time code reader’ does in FCP 7? As others have mentioned, with 100’s of clips, using ‘titles’ is a time consuming nightmare

  • Paul Levin

    December 27, 2013 at 7:18 pm

    GEtting the filename onthere is the easy part, learning the workflow of the program is a bit harder, just because it’s not the usual editing system workflow. here:

    https://www.colorgradingcentral.com/davinci-resolve-tutorials

    In a nutshell, go to the “color” page, and theres a little flame symbol in the middle of the screen. (get it? flame? burn-in? haha) anyway that’ll bring up all the burn in options, clip name, timecode, etc. If you want to have shot/take# on there as well, you may need to enter all that metadata on the media page first. With a bit of fiddling, you’ll figure it out. That tutorial is quick, and will help a bunch.

  • Silvio Valente

    March 6, 2014 at 12:14 pm

    Hi Daniel your great offline solutions was very helpful. It’s work!

    May I ask you how do you use TitleExchangePro? Because I already use it, but I don’t know how to reach the same outcome, namely, how can I burn Clipname and TC on clip from XLR camera?

    Thank you.

  • Daniel Frome

    March 6, 2014 at 3:03 pm

    Super old post! Unfortunately I haven’t used FCP or TitleExchangePro in many years. I frankly don’t remember how it all worked. Sorry about that.

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