-
Field or pulldown problems when demuxing/transcoding PAL MPEG2s
I’ve been re-authoring PAL DVDs to NTSC DVD for a few years now and have yet to come across this issue. I’m hoping one of you Creative Cow geniuses can help me figure this one out.
I received 4 PAL DVDs from a licensor in the UK (unfortunately tape masters or uncompressed files were unavailable). I used my usual standards-conversion from DVD workflow which worked fine for 3 of the discs. But on the 4th (one of the older titles) as soon as I opened it in MPEG Streamclip I noticed that the scan lines were more pronounced than usual and when I played it back it was “jerky”. Playing back frame by frame (still in MPEG Streamclip) I noticed that it plays 6 frames and then the 7th frame is duplicated for frames 8 and 9 and then on frame 10 motion resumes.
Here is my workflow: Ripped the PAL DVD with MacTheRipper–>Opened .vob of main title in MPEG Streamclip and transcoded to ProRes 422 with original PAL dimensions, frame rate, and field settings–>Imported ProRes PAL file to FCP7 and dropped it in a sequence with NTSC frame size and rate and field dominance set to none. Then I dropped the Nattress G Converter (v2.5.2) filter on the clip in the sequence, set source pixel size to 720×576, source field order to upper, destination to upper (it doesn’t give you an option to set these to “none”), High Quality downscaling checked, Progressive output checked, Deinterlace options set to Smart, tolerance=10, Anti-Alias=0, Motion Blur=100, pulldown offset =0.
These settings worked well for the first three but not on the fourth. Playback (as viewed on computer monitor and external CRT) was still “jerky”. Thinking it could be an issue with MPEG Streamclip I bought Cinematize 3 and used that for the transcode to ProRes. When I first open the PAL MPEG2 in Cinematize it plays back but with serious artifacts every half second or so rather than playing several frames than freeze for a few as it did in MPEG Streamclip.
I’ve tried just about every combination of field settings at different stages in the process but still can’t seem to fix it. I’m wondering if it could be this “Euro Pulldown” I’ve heard about to telecine 24 to 25 fps. Is it possible that the disc is actually 24 fps (since it’s older it could have been shot on film) and then encoded at 24 fps with flags to add pulldown during playback on set top player to conform to 25 fps PAL (similar to what we do with 24p footage in NTSC-land)? Wild guess probably but grasping at straws here.
Sorry for such a long post but figured I’d include as much info as possible the first time around. Thanks in advance for any help you all might offer.
Matt